http://www.buzzfeed.com/mattortile/hello-my-name-is-fabulous
So this has been floating around my Facebook feed in the last week. I'm re-posting it, not because I agree with every one of them or because I don't think the show has valid criticisms, but because some of the lines are actually really good advice.
The show has a lot of problems with it, I'll be the first to admit. I believe it's important to be able to admit the flaws of the media we like. We don't have to wait for the Perfect Media, we can like stuff with flaws. I just think we have to be able to admit and accept those flaws for what they are.
But I think this show is also undervalued by a lot of my progressive circles because of those very legitimate flaws. And I see most of the devaluing of the show from people who have never watched more than a couple of episodes.
The power of this show is that it highlighted a segment of the population that does not often get highlighted, let alone celebrated. This show celebrated the single, adult, independent woman. Yes, it showed them searching for love and relationships, but even single, adult, independent women often search for love and relationships. These are not mutually exclusive traits.
Over the seasons, as the characters age and continue to date as single women, the show addressed the concepts of aging, of female independence, of designer relationships, of the fairy tales, of social pressure and the expectations of womanhood, of class warfare, of alternative life choices, of dealing with death and mortality, of reconciling poor choices, of introspection, of introverts vs. extroverts, of communication, and of parenthood vs. non-parenthood and the validity of options.
I'm not saying that every episode was gold. I'm also not even saying that I agree with the conclusions they reach on any of those subjects. I'm saying that they introduced the topics to a mainstream audience when those topics had previously gone unstated or under-discussed. Much like The Golden Girls brought to every American living room the idea of seniors having sex and the challenges faced by single women as they age, this show eschews the standard formula of happily married but quirky heterosexual monogamous couple raising children in the suburbs.
It's not very realistic in that it does retain many of the other most-common sitcom (yes, I know it's not a sitcom) tropes of hip, attractive people living in one of the most expensive cities in the world and somehow managing to, not just survive, but thrive with enough expendable income to wear designer clothes and attend fabulous parties searching for love in all the wrong places and hilarity ensues. But it doesn't cover it in the young, early-twenty-something way as those sitcoms; it tells the story from the perspective of women who have "passed their prime", who have reached and passed the age at which they should have overcome their silly, young faux pas and found The One already and settled down into that married-with-children sitcom storyline. It tells the story of trying to find love while one's ability to have children becomes compromised and the effects of aging are just beginning to be seen and dealt with.
It tells the story from that in-between stage, where the women are no longer the hip, young people we can excuse from making the mistakes they make because they're young, and the older people who have already reached the stage where aging is a given and now they have to deal with that class. The process of coming to terms with aging, and of aging in our appearance-obsessed, monogamy-and-love-obsessed society is a process rarely examined.
As I do with any serial or episodic form of media in which there are good episodes and bad episodes, I like to take certain episodes that cover certain topics and examine that single topic on its own merit. I might have to provide some long-term context of the characters to explain why they react or behave the way they do, but the episode itself is being addressed as a stand-alone for the message. Even when the characters reach a conclusion that I disagree with, I find it to be a valuable teaching tool, discussion starter, and illustration of important or complex points.
I have a series of clips taken from a few different episodes that single out certain topics and points that I've uploaded to YouTube, and I post them occasionally when the comments threads are relevant. Maybe someday I'll get around to starting up that blog series on this show. It'll be in the Media Reflections tag here in my LiveJournal, if anyone is interested.
So this has been floating around my Facebook feed in the last week. I'm re-posting it, not because I agree with every one of them or because I don't think the show has valid criticisms, but because some of the lines are actually really good advice.
The show has a lot of problems with it, I'll be the first to admit. I believe it's important to be able to admit the flaws of the media we like. We don't have to wait for the Perfect Media, we can like stuff with flaws. I just think we have to be able to admit and accept those flaws for what they are.
But I think this show is also undervalued by a lot of my progressive circles because of those very legitimate flaws. And I see most of the devaluing of the show from people who have never watched more than a couple of episodes.

Over the seasons, as the characters age and continue to date as single women, the show addressed the concepts of aging, of female independence, of designer relationships, of the fairy tales, of social pressure and the expectations of womanhood, of class warfare, of alternative life choices, of dealing with death and mortality, of reconciling poor choices, of introspection, of introverts vs. extroverts, of communication, and of parenthood vs. non-parenthood and the validity of options.
I'm not saying that every episode was gold. I'm also not even saying that I agree with the conclusions they reach on any of those subjects. I'm saying that they introduced the topics to a mainstream audience when those topics had previously gone unstated or under-discussed. Much like The Golden Girls brought to every American living room the idea of seniors having sex and the challenges faced by single women as they age, this show eschews the standard formula of happily married but quirky heterosexual monogamous couple raising children in the suburbs.
It's not very realistic in that it does retain many of the other most-common sitcom (yes, I know it's not a sitcom) tropes of hip, attractive people living in one of the most expensive cities in the world and somehow managing to, not just survive, but thrive with enough expendable income to wear designer clothes and attend fabulous parties searching for love in all the wrong places and hilarity ensues. But it doesn't cover it in the young, early-twenty-something way as those sitcoms; it tells the story from the perspective of women who have "passed their prime", who have reached and passed the age at which they should have overcome their silly, young faux pas and found The One already and settled down into that married-with-children sitcom storyline. It tells the story of trying to find love while one's ability to have children becomes compromised and the effects of aging are just beginning to be seen and dealt with.
It tells the story from that in-between stage, where the women are no longer the hip, young people we can excuse from making the mistakes they make because they're young, and the older people who have already reached the stage where aging is a given and now they have to deal with that class. The process of coming to terms with aging, and of aging in our appearance-obsessed, monogamy-and-love-obsessed society is a process rarely examined.

I have a series of clips taken from a few different episodes that single out certain topics and points that I've uploaded to YouTube, and I post them occasionally when the comments threads are relevant. Maybe someday I'll get around to starting up that blog series on this show. It'll be in the Media Reflections tag here in my LiveJournal, if anyone is interested.