joreth: (social events)

I have been meaning to write up a semi-permanent article about Con Hacks for so long that I didn't realize that I hadn't actually done it yet. So here's my first draft:

  1. Remember the 1-2-5 rule: Every single day get 1 shower, 2 full and balanced meals, and a minimum of 5 hours of sleep.

  2. Have a con pack that contains the following:
    • Phone, charging cable, power block, & battery backup if possible
    • ID, room key, & con badge (if not on a lanyard)
    • Painkillers, cough drops, & daily meds
    • You Met Me cards (business cards with appropriate contact info for the convention)
    • Actual pen & paper
    • Sewing kit & makeup touchup kit for costplayers & costumers
    • Safety pins & superglue
    • Snacks & water
    • Paper conference program (if available)
    • Earbuds
    • Earplugs
    • Reading glasses (even if not needed - they make great magnifiers)
    • Travel size tissues
    • Travel size wet wipes
    • Travel size hand sanitizer
    • Mask
    • Non-electric busy-maker like dead-tree book or knitting

  3. Have a spare pair of "comfy shoes" to change into.

  4. Pack or buy con food for the hotel room, some of which is to be eaten in the room and some to pack in above "con pack":
    • Mixed nuts
    • Peanut butter
    • Honey and/or non-refrigerated jam / jelly
    • Tortillas (they travel better than bread)
    • Bananas
    • Canned chicken salad or tuna
    • Fruit leather
    • Honey sticks
    • Cheese in wax (like Babybel)
    • Granola and/or protein bars
    • Dried seaweed
    • 100 calorie or "snack size" bags of chips
    • Individual cups of guac and hummus (if there is a fridge or consistent cooler available)
    • Individual cups of cereal
    • Individual cartons of shelf-stable milk
    • Breakfast pastries
    • Mini candy ("Halloween-size")
    • Bottled water
    • Coffee grounds / tea / roasted cacao grounds, scoop, & tea bags or coffee filters
    • Drink sweetener

  5. Food assuming some method of heat such as room microwave or travel slow cooker:
    • Microwave bags of seasoned rice
    • Canned chicken
    • Canned soup
    • Frozen meals if there is a freezer in the room
    • Hard-boiled eggs if there is a fridge in the room or pre-scrambled eggs in a squeeze bottle if bringing an electric burner/hob
    • Meal-prepped breakfast burritos if there is time to prepare them before con & a freezer in the room

  6. Kitchen gadgets (pick and choose according to needs, finances, & travel restrictions):
    • Electric travel kettle
    • HotLogic Mini
    • Electric induction burner / "dorm" hob
    • Mini CrockPot
    • "Dorm" size microwave
    • Electric cooler

  7. Travel pillows and blankets, personal pillowcase

  8. Towel

I, personally, find that I only need 2 kitchen gadgets: an electric kettle (mine looks like the white one top-left) -

and the HotLogic Mini -

The HotLogicMini is a soft-sided lunch-box style "slow cooker" that uses a low-temperature hot plate inside an insulated bag to heat food. It is safe to use with most containers (although I would be cautious when heating up restaurant leftovers in styrafoam containers) and even safe enough to touch without burning (but it will be hot so don't grab the plate and hold on). I have accidentally left plastic forks inside when heating, and most of the time they're fine. Occasionally they warp a little but are still usable. It is safe to travel with and can be checked or carry-on. It can be purchased with a standard wall plug or a car plug, so make sure you read the listing carefully when purchasing to get the correct plug.

Anything that has "microwave cooking instructions" can be cooked in the HotLogic, usually right in its own package without any de-packaging faffing about - just stick the whole container right inside! I will put a whole can of soup inside and eat it straight out of the can like "campfire beans". I also put a whole bag of microwave rice and a tin of canned chicken in the HotLogic together, then I drain the chicken and add it directly to the bag of rice for a wide variety of chicken-and-rice meals. Be careful, though, packages, especially metal ones, can be very hot and will need to be opened carefully because of the pressure build-up from heating.

The HotLogic is a slow cooker, so you will need somewhere to plug it in for a couple of hours (1-2 depending on if the food is frozen / raw or room-temp and cooked first). Unless you stay inside one track room all day (as I do when I'm working), this may be best to leave in your hotel room, assuming you're staying on-site.

The good news is, though, that because it's such low-temp cooking, you can leave your food in there heating all day long and it'll be fine. I once started my food heating in the morning but then at lunch time found out that management was feeding us. So I ate the free catering and forgot about my lunch until it was time to go home, leaving it heating for like 8 or 10 hours. I just put it back in the freezer overnight and reheated it the next day and it was fine. So plug in your meal before you go downstairs in the morning and pop back into your room whenever you're hungry later for a hot meal.

I have literally not had to buy my lunch at work since buying one of these more than a decade ago and I have started using it at DragonCon for the last 3 or 4 years and I love it. Many of my coworkers have them or similar items now because they are so convenient. I seriously ought to become a distributor for them or get a commission or something because of how many video techs I have talked into buying one. If I ever thought about it, I would have a box of these and a box of screen pullers to sell at every gig I work.

The electric kettle is very important for anyone who likes hot drinks. Hotel coffee pots are notoriously unsanitary, and if you like anything other than coffee, using water heated by a coffee pot (especially the k-cup type) adds a bitter coffee tinge to whatever your drinking. You can even make coffee using "homemade tea bags" out of coffee filters and steeping your grounds in your hot water like tea bags. The longer you let it steep, the stronger the drink will be. Some kettles have batteries or USB cords or act as thermoses so you can bring your kettle around with you like a large water bottle and drink down on the con floor.

For food, while your specific dietary needs may vary, if you just follow the Food Pyramid you should be able to eat a healthy diet that is suitable for a weekend or a week at con even without access to a full kitchen and from-scratch meal prep. You want a good source of protein every day, complex sugars and carbs, healthy fats, and a source of vitamins and minerals that isn't solely a daily multivitamin. I car-camped for 2 weeks with the above diet and was fine. Oh, and minimize the caffeine use. I know, fandom cons are extended parties and everyone wants to be awake for the whole thing, but seriously, keep the caffeine to the bare minimum, especially later in the day.

Plan for at least one hot meal per day (hot food seems to be important for emotional and mental health, and going without for too many days can negatively impact your mood and immune resistance abilities) and have ready access to a variety of "grazing" food throughout the day, that includes just a bit of "indulgent" food, again for mood and emotional / mental health.

To sum up -

I carry a small, lightweight, easy for me to carry all day, mini-backpack with my daily essentials and a few "just in case" items that I have found to be very helpful at conferences. I make the investment to carry or wear comfortable shoes. I practice good hygiene including bathing, deodorants, good tooth care, and good sleep practices such as plenty of sleep hours and bringing my own pillows / pillow cases and towels. And I get 1 hot meal and around 1200-1800 calories per day and some kind of food that makes me happy with the diet above (I do not need more than 1200 per day).

Drink water, buy a HotLogic if you can afford it, wear good shoes even if it doesn't work for the outfit, shower, brush your teeth, and get sleep.

 

Also, this video was made 12 years ago so there are a couple of points that are out of date, but it's still pretty applicable:

 

 

joreth: (Super Tech)

I keep getting asked about costume storage, and I'm rewriting the same answer over and over again in costume and cosplay groups, so I decided it was past time that I made an actual blog entry about this.

I have a lot of costumes. I mean, I have A LOT of costumes. And a lot of dance clothing. And dress-up clothes. And work clothes. Let's face it ... I just have a lot of clothing in general. When I still lived in an actual dwelling, I had a 2 bedroom apartment so that I could use my entire second bedroom as a walk-in closet. I don't mean that I wanted 2 bedrooms so that I could use both closets, I mean that the whole bedroom was one giant fucking wardrobe.

After moving into an RV, I needed some kind of long-term storage option for all my clothes. After a handful of years and some trial and error, I finally came up with a system that I really like. I'm very excited about my new storage system.

I found that 28 quart "under bed storage" bins have roughly the same volume as cardboard file boxes (also called "letter boxes" and "banker boxes"), which is what I was using to store everything in before (because they were uniform in size and shape and both big enough to be useful but small enough to carry and limit the contents for weight control).

Plus, because they're longer and flatter, I can put clothing in it with fewer folds, leaving them on hangers and in garment bags and just sort of "accordion-folding" them into the plastic bin. And the plastic holds up better than the cardboard. Also, I color-coded the bin lids. My costumes are all in white bins, my regular clothing is in silver lids, and my "not one costume, but a bunch of the same item" stuff like petticoats and corsets are in green bins.


The picture is a little bit outdated - this was taken before I added several more costumes and before I really nailed down the color coding, so it's not very consistent in this picture, but it got more consistent later on.

I have one bin per costume (or one costume per bin) with all of its bits including accessories and shoes (other than those costume elements I reuse in multiple costumes, like my petticoats). Each costume gets a checklist for all the items that belong to the costume, with the line items that are stored in that bin checked off and the "shared" items not checked off so that I know to look for them in another bin.


These checkists are in a plastic sheet protector and I use wipe-off markers to write on the plastic over the paper when I check something off for an event or to make notes, so I can just wipe it all off afterwards and still have a clean checklist.

And THEN, I have every single individual clothing item and element recorded in a free, online database that includes its location.




When I go to a con, I can just pick up the bin for the costume I want to take, check the checklist to see if there are bits located elsewhere, and I take the whole bin. If I am flying instead of driving, I take the garment bag containing the costume out of the bin and pack just the garment bag with the costume.


I made a template version of my database so that anyone else can use it. All you have to do is create a free Airtable profile, then click the link that takes you to my template, and "copy" that database into your own profile. From your profile, you can edit the database however you want.

I highly recommend this method or something similar. For my non-costume clothing that needs to be stored, I put all clothing items of similar type (i.e. "club tops", "work shirts", "suits & slacks", "pants", etc.) into these bins, tight-rolling them the way that flight attendants pack their clothing (tutorials can be found on YouTube for this very efficient and compact folding method). These items are similarly catalogued into my database so I can find them later. It's truly a space-saver that also protects my clothing from pests and the elements.  It's also super useful for moving.

If you're looking for a better storage method of clothing and soft-goods, I recommend buying a bunch of under-bed storage bins and if you want to get really organized about it, some sheet protectors for checklists, some chalkboard labels for the outside of the bin, and some different color lids to color code.  Then check out my wardrobe database template for boss-level organization.
joreth: (dance)
I was given a compliment that was definitely intended as a compliment and that I'm taking as a compliment and that, even though it includes a comparison, was definitely not intended to insult the person it was comparing, but nevertheless the compliment shouldn't actually need to exist and I'm using as a metaphor for a larger conversation on gender.

I have decided that there is actually a partner dance that I don't like: country swing.  There are no patterns for the feet, it's literally a dance all about how fast and how frequently the lead can spin his partner (because gender norms).   Now, dance involves the body so a dance style that doesn't focus on memorized step patterns can still be a legitimate dance style.  But this is a dance style that is all about sequences of tricks with no concern for steps or musicality and relies on the strength of the lead to make the follow go where she is supposed to go.

And don't get me wrong but the really good country swing dancers do use step patterns and have musicality and the follows do as much work as the leads.  But that's not the social dance experience.  Usually it's a dude spinning the fuck out of some thin, young woman with no regard to how well it matches the music that's playing or whether she even knows how to do what he's making her do.  Brute force will spin her and stop her without dropping her whether she knows what to do or not.

So, there was a guy at the wedding I went to recently who claimed to be able to two-step and swing dance.  My sister grabbed him for a two-step and he was all over the place with her - no control, no musicality, just "slow-slow-quick-quick-spin-slow-slow-quick-quick-spin-spin-another spin-slow-slow-quick-quick".

When they sat down, he said that he was really rusty with the two-step and that he was better with swing.  I would rather have danced a two-step with him, but since he said he was better at swing, I asked him to swing dance with me.  So we got up and did a country swing exactly as described above - spin, spin, spin, who the fuck cares about beats and music?

I was told later that the dance with my sister looked pretty out of control and my mom was worried that he was actually going to hurt my sister, but she was amazed at how well I kept up with him.  And I kind of downplayed it because 1) my sister was never as into partner dancing as she was into line dancing; 2) she hasn't danced in a while and I try to keep up with my dancing; and 3) I know exactly what "country swing" is and I know how to handle guys who dance like that.

So I've been feeling a little pleased that I impressed people by dancing with someone who had very little control and making it look like we were less out-of-control than we really were, mainly because *I* kept control of *me*.  And it's legitimately not an insult to my sister, because he was the lead, so all problems were his fault.  She's not even a poorer dancer than I am, necessarily, he was just that bad of a lead.  I am, after all, a better follow than a dancer.

Here's the metaphor part:  Too many cishet dudes are allowed to move through life like these country boys move across the dance floor - full tilt, without regard for their surroundings, who is around them, how they impact others on the floor, how out of control they are, dominating their partner, and with no regard to the mood of the music.  And I have spent a lifetime developing the coping skills for how to keep my own feet underneath me when one of these guys swoops by and spins me around.  And that's a compliment because it is, indeed, a skill that I've worked hard at and I am a good dancer (and "dancer") because of it.

BUT I SHOULD NEVER HAVE NEEDED THAT SKILL IN THE FIRST PLACE.

I should not ever be complimented for how well I can compensate for men's failings and flailings.  Because men should not be allowed to stomp all over the floor and through life the way they do.  But so many of them do so, that we just gave it its own dance style name and genre and said "yep, that's legit, that's how you do that!"

And we have done the social equivalent of tolerating and accepting men who do that in life.

Country swing is actually a really fun style to both watch and dance, *when done well*.  But what *I* (and competition judges) think counts as "done well" and what social dancers think counts as "done well" are two very different things.  It is, and should be, a legitimate style.  But the way it's executed on a social floor is just fucking dangerous.  It may be athletic, but it's not artistic, and it's not considerate. It's performative without being connective.

So don't be one of these country swing dudes.  Pay attention to how you move through life, how you impact those around you, the space you take up, whether your partner is (or is able to) contribute equally to your partnership or are you just flinging them around with you, and for fuck's sake at least try to learn something about musicality because musicality is just emotional connection manifest physically.  With a little math.
joreth: (polyamory)
Reminder: A very large portion of poly people did not come to polyamory through "opening up a relationship".  There are more than one avenue to discovering polyamory.  If you never "opened up" a relationship, you are not alone, and not even a tiny minority.

I know it seems like it, because "couples who open up" are the only ones who ever get any air time, but I promise that you are part of a very large segment of the community.  I am one of them.  I never "opened up" a relationship.  I discovered my own internal desire for ethical non-monogamy when I didn't have any romantic or sexual partners at all and every relationship I got into after that point was deliberately non-monogamous from the moment I entered into it.  My partner, Franklin, has just never had a monogamous relationship in his life.

There are so many of us that we have a diverse collection of stories of how our relationships look.  My non-monogamous history looks very different from Franklin's history, even though neither of us tried to "open up" a previously monogamous relationship.  We are not a small segment of the poly community, NYT articles to the contrary.

Also, not all people who discovered polyamory for themselves while not in a couple ultimately become solo poly. Solo poly is not synonymous with "single". Just FYI.
joreth: (BDSM)
I watched a Korean movie on Netflix called Love & Leashes, about a submissive guy who transfers to another department at work and meets a woman in that department who he wants to be his Master. Although she is ... "intimidating", she has never heard of BDSM before, but she finds the idea intriguing.

Korean culture is very different from USian culture, and how they conduct relationships is different. Going into this movie, I didn't know if what I was watching is actually how BDSM relationships are done in Korea or if it's more "the writers know nothing of this subject but thought it would sell a movie script", because it's definitely not how I would recommend conducting a D/s relationship here. But a USian friend of mine who has been living and teaching in Korea for the last several years chimed in to give some background:
It's based off a webtoon by an anonymous author. And the style in the movie is pretty spot on with Korean bdsm forums and the lingo in Korean is super accurate and could only be known by pretty extensive research or experience.

Even the word for fake Dom -- 변바 is in it. It's super niche bdsm slang. Same with 연디 date d/s.

When it shows twitter handles those are a few letters off from real people I know irl in Korea. The background info is... eerily exact to the real bdsm scene here.
Even not knowing if it was a culture difference or uninformed writing, 20 minutes in and it was already 50 shades more charming than the piece of shit I've been choking down lately.

The characters' motivations are clear and their behaviour is consistent with both their personalities / histories, and also with what is known about BDSM, kink culture, and kink psychology. There's no abuse happening at all - it's being led by the sub with negotiation and boundaries from the dom, there was discussion and concern about unfair power imbalances due to the work connection, and it was established that the "newbie" to BDSM had personality tendencies in this direction already and does not find kink to be disgusting or that it must be the result of some childhood trauma.

In other words, everything that is happening so far makes sense, in context.

It's very rom-comy, not erotica, and I think that helps. Trying to make her dark and foreboding as a dom would, I think, remove a lot of its charm.

It does make me miss having a puppy, though.

Some of my notes while watching it:


OTG they're so awkward! It's very endearing.

OK, her digging her red heel into his fully clothed back is so far way more erotic than every sex scene in 50 Shades combined.

Puppy play, verbal humiliation, pain, service submission, nurturing dom ... someone here has actually at the very least read about D/s and not just attended a public dungeon with play restrictions.

AFTERCARE!!!

[discussing how his last girlfriend dumped him for being into BDSM]
"Do you really enjoy all this pain and suffering?"
"It hurts ... but I still feel so alive, you know?"
"I don't get it"
[crestfallen] "It's understandable."
"I mean, if it makes the person you like feel more alive, why can't you do it for them, you know? It's not like it's anything bad."
[slow hope]
#SoMuchBetterThan50ShadesOfShit

The movie version feels very manga, without being cartoony, if that makes sense.

They are so adorkable


By the end, I felt it had remained charming the whole way through. It was very much a rom-com complete with confusion arising from not communicating and a ridiculous happy ending, but it was so very pro-kink and the leads were sweet and adorkable and endearing.

Note to all writers: this is how you write "quirky" and "relatable" characters, not by making them Hollywood pretty but having everyone else describe them as "plain" while giving them no personality but making them clumsy.  Also, don't soften a "hard" edged woman.  Not everyone who has a strong personality is using it as a wall to hide behind and keep people from getting too close, and making a woman softer and smaller is not how she finds someone to love her.  Plus, it's totally possible to be "strong" and even "hard" without being a bitch.

Also, a submissive man is not "weak".  We see the male lead here standing up to his bosses and taking control of situations when necessary but also never stepping over the women around him when he needs to be aggressive.  He supports them and uses his privileged position to make them heard, within the cultural context.

Anyone wanting to write about kink in an erotic setting where there is a conflict to overcome needs to address the idea of shame.  And unlike the current most popular example, the goal is not to reinforce the shame of the kink tendencies, but to either overcome it or to find a way to deal with social shaming in an appropriate cultural context without internalizing it.  This is a good example of one way to address shame well.
joreth: (dance)
Dance Studios:  We want more people to learn how to dance!  And come to our dance parties!

Non-dancers:  OK, well, we don't know how to dance and we're not really passionate about it, otherwise we would already be learning how to dance.  So, how do we get into this dance thing?

Studios:  Well, first spend hundreds of dollars on private lessons, and a couple of hundred on special shoes, spend several weeks in lessons and practice every moment at home, and then you can come to our dance parties where everyone there already knows how to dance!

Non-dancers:  Uh, that sounds kind of intimidating.  Don't you have, like, a group class somewhere that we can just drop in to see if we like it before we start spending all that money and committing every week?

Studios:  NO YOU MUST COMMIT IF YOU ARE TO BECOME A *DANCER*!

Non-dancers:  OK, well, we weren't really interested in becoming a Dancer, we just thought learning a couple of dance moves might be fun.  You're the one asking for people to show up to your events.

Studios:  *Fine*, we'll add a lesson at the beginning of our dance parties.  We'll teach the same 3 steps over and over again for every dance party that we throw, and then we'll immediately open the dance floor to people who have been dancing for years and just throw you into the mix where you have to ask experts to dance with you and try to keep up with other experts moving around the floor.   How's that?

Non-dancers:  Yeah, didn't solve the whole "intimidating" problem.  We'll just stick to asking our token dancer friend to show us a few moves, and then never practice them again.

#IfYouWantPeopleToDoYourActivityYouHaveToMakeItAccessible



Non-Dance Friends:  Ooh, We've always wanted to dance!  Will you teach us?

Dancers:  Well, there are lessons available, and for safety you'll need suitable dance shoes.

Friends:  We don't want to spend any money, so can you just show us some things?

Dancers:  Well, you also need the space to do it, and that's my personal time that I'm giving up.  Renting space costs money, and if I teach for a living, you're asking me to do my job for free.  Plus, we already know that you need repetition to actually *learn* things.  If you really want to learn how to dance, you need to practice regularly.

Friends:  Nah, that's too much work and we're too busy with things that we prioritize higher.

[some time later]

Friends:  Ooh, we've always wanted to learn how to dance!

Dancers:  Well, there are lessons and dance events available...

#FromTheOtherSide #WeLoveToShareOurPassionButItTakesReciprocalEffort
joreth: (being wise)
*Sigh*  Normally I have no problem blocking people who are becoming a pain in the ass, but when it's a *friend* who says *several times* that he will back out of an argument and then refuses to do so, sometimes I have to hang up the phone for him.  But I'd rather not, and it hurts to do it.

I already know that when I lose my temper, I'll say things that I will later regret.  So when I back out of an argument, I back out.  I know that I can't be trusted to have a productive conversation when I'm too emotionally invested in my position to really hear the other side.   If you have the foresight to know that about yourself too, then seriously, back out when you say you're going to.  Because I guarantee, no matter what the person on the other side of the argument is like, you will only make things worse if you stay in an argument past the point that even you recognize that you need to take a break from it.

The other person could be the best, most calm and collected arguer ever, or they could be a total douchebag, and either way, if you're not in the right emotional space for the argument, anything you say is going to make things worse.  Which is why I back out when I'm getting pissed off.  Unfortunately, though, online spaces don't offer very good ways to "back out" and they rely on the other person's cooperation or nuking them.

I wish FB had an option to just, say, put someone in a time-out.  I mean, I know that you can unblock people later, but it's so ... final, so harsh.  Maybe I just want to stop someone from talking at me for a while.  It's like, if you're in an argument with someone in person, you can leave the room.  But if you're in an argument with someone at a *party*, then you have to either leave the party to prevent them from following you around the party to continue arguing or kick them out of the party.

Sometimes, neither is an acceptable option for the circumstances.  Sometimes, I just want someone to stop talking at me while I go into the "quiet room" at the party, or go talk with someone else on the other side of the room.  I can turn off FB for a while and let them rant and rave at an empty inbox, but then I can't wander around FB.  That's me leaving the party.  Besides, then they're still ranting and raving and those messages will be there when I get back.  Leaving might prevent *me* from saying something I don't want to say, but it doesn't make someone else take the space they need but won't take.  And obviously I can't kick *them* off FB (nor would I want to).

Unfriending & unfollowing aren't always the right options either.  When the problem is that someone I know posts shit that I don't want to see, then those are two reasonable options.  But when the problem is that someone keeps talking at me, unfriending and unfollowing don't prevent that.  I don't necessarily want to stop seeing *them*, nor do I necessarily want them to stop seeing *me*.  I want them to lose the ability to contact me for the moment, either DM or comments or tagging me.

And, maybe I don't *want* to actually unfriend someone.   I grew up understanding that friends and family argue sometimes, and it's not the end of the relationship.  Sometimes those arguments are some pretty ugly fights, even, and it still doesn't mean that the relationship *has* to end over it.

I've been reading some stuff (citations not at hand atm, but check out The Gottman Institute for more on that) that suggests that there is a point in an argument at which nothing productive is happening because the participants are "flooded", meaning too emotional, and taking a break at that point significantly increases the chances of a resolution post-break.  My family did this intuitively.  I think it's one of the reasons why I maintain such strong emotional ties to members of my family who have such different worldviews from me.

Sometimes I just don't want to be in *this* argument right *now* and the other person doesn't seem to have the self-control to stop arguing.  But, for whatever reason, I don't want to nuke the relationship.  It would be nice to have, like, a 24-hour Wall of Silence, where neither of us can message each other or comment on each other's posts, until we've both had some space and time to calm down.   But, y'know, you're still friends, and maybe you can even still see each other's posts and still interact in groups or mutual friends' comment threads.  You just can't PM them or talk *in their space*.

But as long as people can't seem to help themselves and continue talking at others past the point where even they recognize that they are not in the right frame of mind to be continuing the conversation, I have to resort to blocking.

And I don't like that.   There's not enough nuance in our online responses, and I think that hurts us individually and as communities.
joreth: (feminism)
Country music has a bad reputation for being pretty misogynistic.  The current crop of pop country is especially bad about that, sparking an epidemic of songs about girls in tight shorts who do nothing but sit in the cabs of pickup trucks.  But like most genres, country is actually pretty diverse and has a prestigious lineage of feminist music.  I've been building a playlist of "feminist" country music and I'm up to more than 50 songs so far.

Unlike Hollywood, however, this list is nuanced and shaded.  The movies would have us believe that there are only 2 kinds of feminist representations - the badass Strong Female Character who can kick ass (except when she needs to be rescued by the leading man, of course) and has no other personality, and the man-hating harpy.

But this playlist shows many sides to the "strong woman".  It's not all about women beating up their abusive men in retribution, although those songs exist too.  In many places, it intersects with classism (although, to be fair, it's still predominantly white, as is the larger country genre, but there is one song in there about interracial relationships at a time when they were still taboo), where sometimes some ideals have to be sacrificed for the more immediate need of survival. Sometimes it's not about triumphing at all, but about existing in a misogynistic society.

There are tales of revenge, of liberation, of parenthood, of singlehood, of being caged, of sexual freedom, of running out of choices, of standing up to authority, of making the system work in her favor, of rejecting her circumstances, of accepting her circumstances and making the best of them, of birth control and abortion and sex, of career options and motherhood choices, of sorrow and pride and love and heartache and loneliness and optimism.

They are all stories of being a woman. This is what feminism looks like.

joreth: (Default)
Just FYI: I have a "user manual" for myself. The long, in-depth version is a tag in my blog for all the blog posts that are about me at https://joreth.dreamwidth.org/tag/me%20manual and a shorthand "cliff notes" version is built from a template created by Cunning Minx and can be found in its own blog entry at https://joreth.dreamwidth.org/301768.html.

I have yet another sort of Me Manual in the form of a YouTube playlist of songs that I feel represent me or some aspect of me.  I call this Joreth's Theme Music and it can be found at www.youtube.com/playlist?list=PLMySpg8nvA5OSIHTfi6XwgQdbEQSyLjoq



I also have a playlist of songs that represent my biggest frustrations and topics that are very personal to me.  I call this playlist my Killing Spree Playlist, as I jokingly refer to the playlist I would have on my iPod if I some day finally snapped and decided to climb a water tower with a sniper rifle.  This can be found at www.youtube.com/playlist?list=PLMySpg8nvA5Ml3lMWhzUJMc78UVwnd8gM



I highly recommend creating your own Me Manual or User Manual.  You can use the very convenient form that Minx offers or you can create your own.  Sharing yourself through song or other forms of art is an interesting and creative way to supplement a more plain-speaking sort of Me Manual like the text-based Q&A template that Minx offers.

I then also encourage everyone to share them with prospective partners, current partners, and friends, and I encourage everyone to *read* the user manuals of their lovers and friends.
joreth: (boxed in)
www.helpguide.org/articles/suicide-prevention/suicide-prevention.htm

I decided to start being open with my depression and my occasional bouts with suicidal thoughts. I decided to do this when I acknowledged that it is possible to continue to *live* while still being suicidally depressed. I acknowledge and accept that these thoughts are part of my condition and that I don't have to act on them. That makes it easier for me to talk about it publicly.

But because so many suicidal people do not talk about their depression or their thoughts, a lot of people are under the impression that, because I might mention something about death or hopelessness, I must therefore be in danger. Really, it's when I don't talk about it that I'm probably in the most danger.

And then I get all the usual reactions to people who have no idea how to handle other people having complex emotions, which is bad enough, but it's compounded by the fact that I'm not actually in any immediate danger so I don't *need* that assistance even if it was helpful, which it isn't.

A lot of the things on this list don't apply to me because of my decision to talk publicly about choosing to live while having suicidal thoughts. My talking about death isn't a "warning signal", but it might be for someone else. I'm talking about death because I can't handle needing to comfort other people with their own fears and concerned feelings about me while I'm also going through my own struggles with my own feelings. I can't do the emotional labor for the both of us anymore.

So I'm talking about it to normalize talking about difficult subjects so that the rest of y'all can learn how to do your own emotional labor so that you can better support those people you're feeling all those concerned feelings about instead of making us try to make you feel better when we feel like shit first.

So, even though a lot of this article doesn't apply to me, personally, I'm sure they apply to other people, and this list of Don'ts is particularly applicable to me.

"But don’t:
  • Argue with the suicidal person. Avoid saying things like: "You have so much to live for," "Your suicide will hurt your family," or "Look on the bright side."

  • Act shocked, lecture on the value of life, or say that suicide is wrong.

  • Promise confidentiality. Refuse to be sworn to secrecy. A life is at stake and you may need to speak to a mental health professional in order to keep the suicidal person safe. If you promise to keep your discussions secret, you may have to break your word.

  • Offer ways to fix their problems, or give advice, or make them feel like they have to justify their suicidal feelings. It is not about how bad the problem is, but how badly it’s hurting your friend or loved one.

  • Blame yourself. You can’t “fix” someone’s depression. Your loved one’s happiness, or lack thereof, is not your responsibility."
I especially love this line here: "It is not about how bad the problem is, but how badly it’s hurting your friend or loved one."

One further note on the warning of antidepressants. When I went through my therapy the last time, the doctor began to prescribe something for me that would increase my "motivation", but literally in the middle of writing the prescription, I said something or other that made her change her mind and she prescribed something to lift my mood first but that wouldn't necessarily give me more motivation.

(No, I have no memory of what either drug was or what the mechanism was to isolate those two specific emotions. I did some research later and it lined up with what she said, but now I'm left only with the memory of the *effect* of this conversation, not the details. So accept it on face value).

The thing is, that I had at that point reached a place where I was a high risk. I was willing to die. But I couldn't get up the motivation to actually get up off the floor of my storage unit, where I had fallen to sob hysterically, to reach for my gun on the upper shelf. That lack of motivation was, literally, the only reason I didn't die that night. It was just too much effort to go through with it.

So, later, I went to the therapist and we discussed options and she changed her mind on what drug to give me in the middle of the session. Now see, my depression is situational, not necessarily my brain chemistry. And my situation changed shortly thereafter. So we don't really know if the drug worked or I just got out of that depression on my own.

But what I do know is that my *mood* lifted before I gained back my motivation to do stuff. It was still some time later before I could feel motivated about things, I just didn't feel so *hopeless* anymore. And that's when I did some research about the drugs we talked about and the incidents of people who accomplish their suicides after they begin taking antidepressants.

So I now believe that there are 2 parts to suicidal depression: a lack of hope, and a lack of motivation. And I believe that if a person who is suicidal ever gets their motivation to do stuff back before they lose their sense of despair and hopelessness, that's what causes them to take their own lives.

And if we're prescribing them shit that makes them feel motivated to do stuff but they haven't gotten over whatever makes them feel hopeless as fast as they gain their motivation, that may contribute to why people suicide after taking antidepressants.

So if you know someone who is suicidal and who is finally convinced to start taking medication, be aware of this motivation / mood split.
joreth: (feminism)
https://qz.com/920561/conscious-consumerism-is-a-lie-heres-a-better-way-to-help-save-the-world

"Conscious consumerism is a lie. Small steps taken by thoughtful consumers—to recycle, to eat locally, to buy a blouse made of organic cotton instead of polyester—will not change the world."

"Making series of small, ethical purchasing decisions while ignoring the structural incentives for companies’ unsustainable business models won’t change the world as quickly as we want. It just makes us feel better about ourselves."

"There’s also the issue of privilege. The sustainability movement has been charged with being elitist—and it most certainly is. You need a fair amount of disposable income to afford ethical and sustainable consumption options, the leisure time to research the purchasing decisions you make, the luxury to turn up your nose at 95% of what you’re offered, and, arguably, a post-graduate degree in chemistry to understand the true meaning behind ingredient labels."

"Choosing fashion made from hemp, grilling the waiter about how your fish was caught, and researching whether your city can recycle bottle caps might make you feel good, reward a few social entrepreneurs, and perhaps protect you from charges of hypocrisy. But it’s no substitute for systematic change."

"But when it comes to combating climate change, pollution, and habitat destruction, what we need to do is take the money, time, and effort we spend making these ultimately inconsequential choices and put it toward something that really matters."

"So if you really care about the environment, climb on out of your upcycled wooden chair and get yourself to a town hall meeting." And I would add to support science education and bone up on some heavy science yourself so that when you do go to a town hall meeting, you'll know what you're talking about and can propose solutions that are based in reality and more likely to work, like supporting gmo food, vaccinations, geologically relevant climate change policies, and functional education.
joreth: (boxed in)
There have been a lot of rumblings in my various communities about the lack of accessibility for basically everyone other than straight white educated cismen. One popular option that a lot of people are choosing to take these days (and I wholeheartedly support them) is to look at the speaker lineup, and if they are the only POC or woman or disabled person or whatever on the lineup, then to decline the invitation to speak.

Another option is to do the same thing as a guest. A third / fourth option is to do the same thing *as* straight, white, cismen and to do it publicly as a way to give up your seat for someone who is not (especially if your "seat" is on a panel or podium discussing accessibility issues).

As I said, I support this choice completely. However, the consequence of all POC and women and disabled people et. al. refusing to participate is that these events *remain* white, straight, male, and able-bodied.

So, if we are a member of an underrepresented demographic, and we get invited (or accepted) to speak at an event where the speaker lineup has less diversity than we'd like, and we have the spoons or the matches or the hit points for it, and our lecture topics work this way, I'd like to propose doing more of this in addition to our boycotts.

Give our lectures and workshops and panels in ways that absolutely do not benefit the people who are not us but that do benefit the people we are trying to make these events more accessible for.

This will not be applicable to everyone who speaks. It's most easily demonstrated with something like hearing loss because accommodating people with hearing difficulties tends to be *inconvenient* for people who can hear, whereas many other forms of accommodation benefit everyone or most people even those who do not *need* the accommodation.

One of the things that I do is, in my Simple Steps workshop, where we take dancing exercises and learn how to apply them as actual communication tools, we deliberately arrange this hands-on workshop so that men have to touch other men.  Everyone other than straight cismen is socialized to allow some form of physical contact (often whether it's wanted or not), but straight cismen get to indulge in their homophobia because of the homophobic culture.

So we do not accommodate them.  They are forced out of their comfort zone in our workshop.

Obviously, this has limitations.  People who have mental health issues regarding physical contact will find our workshop difficult for them. We made a choice to focus on this one issue, and the nature of the workshop is to be hands-on and interactive.  But the same goes for the ASL speaker in the original meme here - people who have eyesight problems would have had difficulty in his lecture too.

Another thing that I do is I make many of the events I host to be either child-friendly or low-cost / free (or both) because poverty is one of my pet SJ issues.  I am not a fan of children.  But I make as many of my events child-friendly because I know how expensive child-care is and how difficult it can be to participate in a community when everything costs money and time and there are children at home.  Children running around an event is inconvenient to many adults.  But without childcare options, poor people (and mostly women) are left out. 

I will be considering some of my more popular lectures and workshops to see if I can adapt them to make them less convenient for various target audiences, to illustrate this point.  If there is a way to make your lectures more accommodating to the people you are representing while simultaneously making it less accommodating to the non-representative audience, please consider this act of civil rebellion in lieu of just not participating at all.

If we want separate spaces, that's one thing, but if we're asking for more inclusivity, some of us have to be the ones to barge through the door. Otherwise, the room will remain monochrome because we've all decided that forcing the door open is too much effort.

No photo description available.

Event Organizer: We're sorry, there won't be interpreters at the event where you are presenting about Deaf things, sign language, and interpreting.
 
Me: No problem, I'll present in ASL without interpretation. Hearing people will have to get by.

EO: Ummm ...

I presented for 25 minutes, and opened with a couple of slides in written English that explained the situation. Told them to stay, so that they could "learn a lesson they didn't come here for." They all did.
joreth: (feminism)
www.quora.com/What-can-I-do-if-my-wife-teaches-my-daughter-piano-but-I-want-her-to-do-gymnastics/answer/Joreth-Innkeeper

Q. What can I do if my wife teaches my daughter piano but I want her to do gymnastics?

A.
What does your daughter want?

She’s a human being.  Her desires for her body, time, emotions, etc. are the only ones that matter here.  If you’re funding her activities, you can technically be allowed to place limitations on them based on what you're willing to pay for, but as for encouraging her what TO do (as opposed to what not to do)? That’s all her.

Your interest in your daughter pursuing gymnastics is completely irrelevant.  So is your wife’s interest in teaching her piano.

Find out what YOUR DAUGHTER wants to do and stop treating her like an extension of yourself that you get to force into doing whatever it is you’d rather be doing but, for whatever reason, aren’t doing yourself.

If she wants to learn piano, then that’s what she should learn.  If she wants to do gymnastics, then that’s what she should do.  If she wants to do both, then find a way to allow her to do both If she wants to do neither, then suck it up and treat her like the human person she is, and encourage her in her endeavors like a responsible, loving parent.

She is not your doll, to dress up in the profession and hobby you want her to do.  She is a person.  She gets to make the decisions about how she spends her time and what she puts her body through.

Honestly, these parents who think their children are extensions of themselves instead of human beings in their own right!  This is how you get adult children who stop talking to their parents.

Respect her autonomy.  She’ll be a much more loving daughter if you respect her.
joreth: (sex)
I do not believe in "converting" people to polyamory, or any other relationship style or sexuality for that matter. I don't believe it can be done and I believe that attempting to do so is inherently coercive. I believe people have the right to choose whatever relationship style or sexual behaviour they want, no matter what it is or why they choose it, with the exception of anything that violates other people's agency (sorry, you don't have the right to choose to force young boys to give you blowjobs behind the alter just because you're their priest, you just don't).

You can *introduce* people to new things, but I don't think you can *convert* them to something they're not or don't have their own internal motivation to try and become. And I would rather not have these people being pushed into my communities because they flail around and smack up everyone who gets near them. If you don't want to try it, then don't. Please, don't. Stay out of my communities unless you actually want to be there.

www.quora.com/How-can-I-convince-my-husband-to-let-me-sleep-with-other-men-He-has-slept-with-many-women-before-our-marriage-and-I-am-jealous-that-I-did-not-have-that-experience/answer/Joreth-Innkeeper

Q. How can I convince my husband to let me sleep with other men? He has slept with many women before our marriage and I am jealous that I did not have that experience.

A.
You can't "convince" him. At worst, that would be coercion. You can lay out your desires and your reasons for them, and then you can A) accept his decision to not consent to an open marriage, B) accept his acceptance of an open marriage, C) cheat, or D) leave.

You have to decide, ultimately, what is more important to you - having other sexual experiences or remaining married. When you know what your answer to that question is, then you will know how to proceed with talking to your husband about deconstructing and reconstructing your marriage into an open one ("Opening Up" A Relationship Doesn't Work, Try This Method Instead - https://joreth.dreamwidth.org/375573.html)

If your marriage is more important, then be prepared for him to say that he does not want an open marriage and you will have to give up your fantasy. If the sexual encounters are more important, then be prepared for him to say that he does not want an open marriage and you will have to divorce him if you want to remain an ethical person.

You are allowed to have your desires. But he is also allowed to only consent to the kind of relationships that he wants to have. Once you know where the line in the sand is drawn, you can share that information with him so that he can make an informed decision about what kind of relationship he will engage in with you.

Just be careful not to make it an ultimatum (Can Polyamorous Hierarchies Be Ethical pt. 2 - Influence & Control - https://joreth.dreamwidth.org/349226.html). This shouldn't be a way to control the outcome of the discussion. You shouldn't go into it thinking "you better let me have other sexual partners or else I will divorce you!" That's punitive. If you are relying on the threat of divorce to get your way, that's coercion.

But if his "no" is an equally acceptable answer to his "yes", then saying "honey, I love you, but this is a thing I really need to do for myself, and if you don't want to share this journey with me, I'll understand, but I do have to travel this path one way or another and I hope I can share it with you" is not an act of coercion, it's an act of love and acceptance and of giving him the information he needs to make a decision. He might not feel that way in the moment, though. Sometimes it's hard to see the difference.

There are tons of books and forums and websites everywhere that can help people wrap their brains around open relationships. I'm sure others will share those resources in the comments. You can try giving him those resources and see if that helps. My favorite is the book More Than Two (www.MoreThanTwo.com).

But ultimately, you cannot "convince" someone to have an open relationship. Dragging a partner into any kind of relationship they don't want grudgingly makes things much worse. That goes in both directions, btw. You staying in a monogamous relationship grudgingly will make everything worse for you both too. Should you decide that your marriage is ultimately more important than having extramarital sexual relationships, make sure you own that choice. Make that choice *yours*, not something he forced you into. Don't frame it as "he won't let me have sex with other men", frame it as a choice you made to be with him. Otherwise, you might end up losing the marriage anyway.

First, look at all the worst case scenarios - you have other lovers and get divorced, you stay with him and feel resentful, you cheat and damage your integrity, his trust, and possibly get divorced anyway, etc. - and decide which worst case scenario is the one you are most willing to risk. Then come to your husband with that in mind. Lay it all out for him, including the consequences for what happens if he doesn't give his consent, so that he can make an informed decision.

And then live with your choices.
joreth: (feminism)
www.harpersbazaar.com/culture/politics/a19598317/men-cant-get-a-date-because-of-feminism-metoo-movement/
"But if you are a man who can't get a date with someone who actually likes you, it's not because of feminism. It's because you are someone people do not want to date. Possibly because you spend a lot of time whining about how women having rights has made dating impossible for you."

"Basically, this means that men have to be someone who people want to date. They can not simply exist, as a man."

"This is one of the first eras where men have to bring something to the dating and flirting table beyond the very fact of their being a male who is willing to date a women. Which means that they have to actually respond to women's cues. They have to learn how to read women."

"Women have accepted, from birth, the notion that dating is about bringing qualities to the table. ...Maybe it's about time men started doing the same."
And no, men, "bringing home the bacon", "being a provider", and "doesn't beat her" are not sufficient qualities you can bring to the table. For some women they might be *necessary* qualities, but they're not sufficient.

Like being "nice", it's a *baseline*. It's the bare minimum required for us to not automatically disqualify you, but it's not enough to put you in the running. You still have to be an interesting person and you still have to pay attention to your partner.
joreth: (polyamory)
https://www.instagram.com/p/BVOHz8YhnWU/Answering that last question about casual sex without feelings verbalized something that I felt but hadn't quite brought to the forefront of my brain yet.

I have always been confused by people who ask things like how to have casual sex without developing feelings. And I think it's because they're coming at it from literally the opposite direction as I do.

I don't have casual sex and then try to make my feelings match. I have casual sex BECAUSE CASUAL ARE MY FEELINGS.

They're choosing the structure and then trying to shoehorn the feelings in to match the structure.

I'm looking at my feelings and going "what structure works best with these feelings?" and then I have that kind of relationship.

And it occurs to me that this is exactly the same problem as the Unicorn Hunters and like every poly newbie ever. They're all picking a structure first and then interviewing people for a job position that requires a mandatory suite of emotions.

Whether it's casual sex or emotionally intimate partnerships, I have the feelings first, and then pick the structure to match. If a person is simply not prone to high sexual attraction / low emotional attachment, then by having the feelings first and choosing a matching structure, they will, just by the "signal flow" if you will, rarely or never have casual sex.

If a person tends to have high sexual attraction for people without a strong emotional attachment, and they have the feelings first and pick the structure to match, then they will just naturally have lots of casual sex without "catching feelings".

But if a person picks the structure first, and either they pick a structure that runs contrary to their natural tendencies of sexual attraction vs. emotional attachment or they are the sort of person that is capable of a variety of mixtures of those two things, then they try to fit people into the structure, they are likely to wind up having the "wrong" feelings for the type of relationships they are in.

And then, if that person has any sense of entitlement or lack of respect for their partners' agency, they are likely to use that relationship structure to coerce their partners into something they don't want.

This is being girlfriendzoned. This is when someone sabotages condoms to get someone pregnant to keep them around. This is when they dismiss the other person's feelings with "you knew the rules when you signed up". This is cowboying and cuckooing.

We, as a culture, pick our relationship structures first and then try to fit people in them. We do this with friends, with intimate partnerships, and with fuckbuddies.

Don't do that.

Feel your feelings, and then pick the relationship structure to match. If you don't have casual-sex-feelings, then don't get into a casual sex relationship. That's how this works. It doesn't work by getting into a casual sex relationship first and then trying to prevent yourself from developing feelings other than casual-sex-feelings.

I don't worry about "catching feelings" for my casual sex partners because the whole reason they are casual sex partners is because the feelings I have for them are casual-sex-feelings. I'm not going to "catch feelings" because I already HAVE feelings. The feelings I have are casual sex ones. I have high sexual attraction + low emotional connection feelings. That's why it's a casual sex relationship.

This doesn't mean that my feelings absolutely won't change over time, but that's a different discussion. All relationships metamorphose over time. My point is that the reason why people have such a hard time with the concept of casual sex and how to handle "catching feelings" is the same reason why certain types of poly people try to prescript their relationships into equilateral triads or whatever - they pick the structure first and then try to find people to fit.

You will have much more success in all your relationships if you have your feelings first and then pick the relationship to match. And "casual-sex-feelings" are valid feelings. There is no need to prevent "catching feelings" in the event of a casual sex relationship if the feelings you have are the ones that match.

Image at www.instagram.com/p/BVOHz8YhnWU/
joreth: (sex)
www.quora.com/How-do-I-keep-from-falling-in-love-with-my-fwb/answer/Joreth-Innkeeper

Q. How do you handle a casual sex relationship without developing feelings?

A.
You don't. You can't control your feelings. Your feelings will do what they will. When I have casual sex, it's *because I don't have a strong emotional connection*, not the other way around. I don't get into a sexual relationship and then try to keep my emotions casual. I have a low emotional connection to someone with a high sexual connection, so I structure the relationship to be a casual sex one because *those ARE my feelings for them*.

Some people just seem to be wired to have their emotional connections and their sexual attractions linked in some way - either having sex causes an emotional attachment or they can't have sexual attraction without that emotional connection first (see: demisexual).

I am not one of those people. I can have sex with or without emotional attachment and I can have emotional attachment with or without sex. If I start a relationship under one premise and then discover that my feelings about the relationship fall under another premise, I discuss with my partner what our options are. If they are open to renegotiating the relationship to match, then great!

If not, I decide if it's possible for me to just have my feelings while in a relationship that doesn't match. My feelings are my own. They are not the responsibility of the other person to manage, and I do not have to act upon them. I can have whatever feelings I have, I can feel them, experience them, lean into them, and my behaviour is whatever I believe is most appropriate for the situation.

I have had romantic feelings for a number of people who did not return my feelings, so we maintained a platonic friendship for a long time. I did not pressure them to get into a different sort of relationship with me, I did not remind them of my feelings for them (thereby making them uncomfortable), I did not behave in any way other than platonically, I did not pine away for them, I did not plot or scheme to use our friendship as a vehicle to steer, convince, or "trick" them into another kind of relationship, I just felt what I felt, and I appreciated the friendship for being what it was.

Sometimes I have romantic feelings for a casual sex partner that are not compatible with remaining in a casual sex relationship, for some reason. Wanting something different from them makes what I *do* have with them feel hollow or inappropriate. When that happens, I have to end the casual relationship for my own well-being. I do not stay in a casual relationship hoping that, if I just stick around long enough and am good enough in bed, he'll eventually come around and give me the kind of relationship I'm really hoping for.

You can't control your feelings, you can only control your behaviour. You can't stop yourself from "catching" feelings, if that's just what your feelings want to be. You can reduce exposure to certain activities that might encourage emotional bonding, such as not having any in-depth conversations, not going out in public together in ways that feel like "a date", meeting at neutral locations, not meeting their parents or friends, etc.

But if your feelings are going to develop through sexual activity, there's nothing you can do about that. Have a conversation with them to see if they'd be amenable to a more emotionally intimate relationship with you if that happens.

If they are not, you choose - continue to have a sexual relationship without a reciprocal emotional attachment from them and enjoy it for what it is without pressuring, cajoling, convincing, coercing, or hoping for something "more"; or end the sexual relationship if you are not happy having one with them where they don't reciprocate your emotional attachment.

But the best way to minimize the odds of developing an emotional attachment to a casual sex partner is to not get into casual sex relationships when you have an emotional attachment to them in the first place. Get into casual sex relationships *because the feelings you have for them are casual sex feelings*. Those are legitimate feelings to have for a person.

It's not a "lack" of feelings, it's a particular type of feeling. You may still catch teh feelingz, but, for most of us, if we're capable of having that particular kind of feeling in the first place, we are less likely to be the sorts of people who develop emotional connections just because we're having sex with someone. Our sexual-attachment-without-emotional-connection-feelings are real, valid, legitimate feelings in their own right.

People who tend to develop emotional attachment through sexual relationships tend not to really feel that low-emotional-attachment-high-sexual-connection in the first place, so they are always fighting the development of what's more natural for them to feel. I don't have to fight that because I am already feeling the feelings that are appropriate for the relationship style that I'm in.

So, have the feelings first (or at least, recognize the potential of what your feelings might want to become), and then structure the relationship to accommodate. Have casual sex relationships *because you have casual sex feelings*. Trying to structure the relationship first and then force your feelings to fit the structure is often a recipe for disaster.
joreth: (being wise)
www.quora.com/When-doesn-t-a-pre-nup-work/answer/Joreth-Innkeeper

Q.   When doesn't a pre-nup work?
Joreth Innkeeper, is currently writing a book with her ex on how to break up

A.  Times when a pre-nup doesn't work:
  1. When you don't have one / haven't signed one / don't use a proper pre-nup form, etc

  2. When you don't disclose or include something so that it's not accounted for in the contract and/or it can be contested in court because it wasn't disclosed or included.

  3. When you focus only on tangible or liquid assets and then you start a business with your spouse but don't include any exit strategies on how to divide up the business in case of divorce.

  4. When you're talking about things with emotional value, sentimental value, or intangible things like the well-being of the participants.

  5. When it's clearly one-sided and a judge rules that it's not a fair protection of both parties and is therefore null.

  6. When it's signed under duress or false pretenses or otherwise one or more signer is not eligible by law to sign a legal contract.

  7. When it's not valid in the region or jurisdiction under which you are trying to enact it.
Since I am not a lawyer, do not take anything I've said as legal advice. I may be wrong, and I am certainly not familiar with contract law in any region I haven’t tried to engage in contracts under.

GET A PRENUP. GET A PRENUP. GET A PRENUP. GET A PRENUP.

I can’t stress that enough. I don’t care how much in love you are or how pure of heart you both are, if you are going to entangle yourself legally with another person, get your exit strategy down on paper in the most legal way possible, and do it while y’all still like each other so that it’s written as fair as possible.

No one has ever walked down the aisle and thought “I bet this person whom I love dearly with all my heart and am choosing today to commit to for the rest of my life will probably turn out to be a raging douchebag and someday try to leave me penniless.” Every single person in divorce court, at one time, thought the person they are now squaring off across the table with was a decent human being.

If you turn out to be right, and your spouse is a decent human being, then this is just a piece of paper that probably does nothing more than spark a conversation between the two of you about entangled finances, turning some implicit assumptions into an explicit discussion about expectations and intentions. Yay!

If you turn out to be wrong, this document could save your ass, or even your life. And you don’t want to wait until after you discover that you were wrong to also discover that you have no safety net.

By the way, there is also such a thing as a “post-nup”, although that’s not what it’s called (it’s not technically called a “pre-nup” either, but most people know what you’re talking about when you say that). It’s basically the exact same thing as a prenup except all the verb tenses reflect the fact that the marriage has already happened.

Like a will, the very last document signed is the one that rules in the courts. It is to your benefit to revisit your prenup after the wedding periodically and update it as a post-nup with however your assets have changed over time.

And if you got married without a prenup, you can still get a post-nup. Just like responsible adults have hard conversations about wills and what to do with assets in case of death, you should have this conversation with your partners in case of separation too.

This doesn’t have to be framed as “so, I’ve been thinking about divorcing you, and I thought we should hammer out the details early.” Nobody says “so, I’ve been thinking about intentionally dying in the next few years and I thought we should work out how to handle my arrangements now.”

Just be a grown-up and sit down to discuss worst-case scenarios with your partner - you know, that person who you pledged yourself to supposedly because they were your “best friend”? If you can’t have these kinds of hard conversations with your life partner, your helpmeet, your “best friend”, your soulmate, well … perhaps you shouldn’t have chosen this one to marry and these documents are more necessary than you think.
joreth: (being wise)
Look, I get it ... the shoe industry and in particular *women's* shoe industry is bullshit. I could go on a rant for days about the history of shoes, of women's shoes, the patriarchy, and the predatory fashion industry. And, on top of that, both "comfortable" and "attractive" are subjective. No matter what any individual person says about any individual shoe, there will be someone who disagrees on either it's comfort or its style or both.

So I am going to share some shoes that *I* find both attractive and comfortable, and within what *I* consider a "reasonable" price range. Any, all, or none of this may apply to you, but if you're looking for feminine style shoes that are not painful to wear and won't break your bank, here is one place from where you can begin your own investigation. I've shared several of these options before, but I'm revisiting the topic.

I just finished documenting all of my shoes for my Wardrobe Database and I thought y'all could benefit from my having pictures to reference. Let's start with shoes as close to "typical feminine shoes" as possible - dance shoes.

Dance shoes are, for all intents and purposes, regular dressy shoes, but with 2 very important differences: construction and sole. Dance shoes are constructed slightly differently to accommodate the unique stresses that dancing puts on shoes. Usually this means "higher quality", but it definitely means "more durable" and sometimes "longer lasting", depending on how you wear them. I have a whole page about the quality and purpose of dance shoe construction located at https://sites.google.com/site/orlandoballroomdance/FAQ/danceshoes.

The other issue is the sole. With dance shoes, you have to pay attention to what the soles are made of. If they’re hard leather or vegan plastic/resin type stuff, you can wear them anywhere but if they have suede on the bottom, they can only be worn on hardwood floors. I try to buy my dance shoes with leather or vegan soles, and if necessary, I can take my shoes into any cobbler (shoe repair place) and ask to have leather put on. I just have to be clear and make sure they understand that I do not want suede (also called "chromed").

So, with that in mind, dance shoes tend to be way more comfortable than comparable dress shoes.  I would put them in the "expensive" category, but people who typically buy designer shoes might classify them as "mid-range" at around $80-$200. All of mine have been in the $80-$120 range. But they last for years and I treat them like sporting equipment - if you want to play the sport, you need to invest in quality safety gear.

In addition to that, there are places where you can pick a base style, and then custom choose the strap style, fabric options, and heel height, and if you get the vegan soles you can wear them on any surface including outdoors. What makes this so important is that heel height and strap style. I grew up in the '80s, in the era of the slender, delicate, stiletto heel pump.

So I really like the look of the delicate pumps with skinny heels, but I really don't like wearing *tall* heels. Being able to specify a short (like, 1.5-inch) heel in a slender flare has been terrific for someone with my aesthetic taste but preference for flatter shoes. I used one of these vendors for my wedding shoes. I found a base model of shoe on the website that had the look I was going for and then I picked the heel height and style, all the fabrics and where to put them, and I also added an extra strap (the base model only comes with one, either an ankle strap or a criss-cross strap and I requested both).

I requested a fabric sample before ordering any shoes and I matched everything to my wedding dress. Despite being different fabrics (the dress is made of stretch performance fabric and these are all satins), these shoes are a nearly perfect match and I couldn't be happier with them.

The brand of shoe is Very Fine Dance Shoes, and you can get stock, other customer's custom designs, or design you own direct from www.veryfineshoes.com/customladiesdanceshoes or from one of several retailers that sell them.

They're as comfortable as any dance shoe, which means that they're still heels but they're made for hard wear with padding and properly constructed soles and shanks. They're not going to feel like sneakers because they're not sneakers, but if I'm going to wear dress shoes, those made for dancing are about as comfortable as they get, with one exception...

These are the most comfortable pair of dress shoes I own. They're Crocs and I have them in black and oat (kind of a light khaki / tan). Even when I have hard leather soles on my dance shoes that allow me to wear them off the floor, I still bring these shoes to change into afterwards. Because no matter how comfortable the dance shoes are, dancing for 4 hours in heels is still hard. When I put these on, I add another several hours worth of walking to my evening while still looking dressed up. Honestly, the only reason I don't wear only these for dressing up is because they're open-toe and I prefer the closed-toe look.  That, and I rarely get dressed up if I'm not dancing.

It looks like Crocs has discontinued this model and changed to a criss-cross strap over the toes (which I love) and is about to discontinue that model too. They have other styles of shoes, but you might be able to get these from another retailer that still carries some old stock. The model I have is called the Leigh and the criss-cross version is the Leigh II.

I've probably had them for more than a decade now, and since I don't wear them very often because I don't dress up often, they still look brand new and I expect to continue wearing them for years more.

These are also Crocs, and also a model that has been discontinued. I know most people would never have thought to hear anyone say this, but keep an eye on Crocs for not-ugly comfortable shoes. They sell more than clogs. These are a simple red wedge with a black patent leather-like toe cap.

Like the Leigh Wedges, they are made from the same Crocs materials and have the same comfortable Crocs sole. They have other wedges available on their website, so keep checking back to see the new models, as they frequently rotate new designs in.

I would put Crocs in the mid-range price category, with shoes usually costing between $25 and $60, plus you can often find sales or clearance items. Once something gets discontinued, though, the third-party retails jack the price up because they become hard to find.

Another place to look for shoes that may be both stylish and comfortable is the recent trend of "foldable" ballet flats. I got these from Payless when they announced they were going out of business and put everything on clearance. I also bought the same pair in this really smart grey flannel-looking fabric with a black toe cap that goes amazingly with my grey suit pencil skirt.

Payless opened back up again as an online-only store, and I'm pretty sure these are available online. Because they're this "foldable" style, meaning that they are intended for you to fold them literally in half and stuff them in a purse, they're not constructed with the same high quality materials as traditional shoes. They might be using high quality materials, but they are of a different type.

They are soft and flexible all over, so there is virtually no arch support or padding. These feel, to me, almost like going barefoot, with no shock absorption whatsoever. This may or may not count as "comfortable" for you. I put foam insoles in mine.

Also, because they are made and stored "folded", you'll notice the shoes are curled up. I would not have thought that I would feel any curling once they were on my feet - that my feet were more solidly straight and would out-compete the tension in the shoes. But I do start to notice a slight pressure on my feet to turn up at the toes over time. Fortunately, they're also easily slipped on and off.

And finally, if someone is fortunate enough to wear an adult woman's size 6 or smaller (sometimes up to an 8), you can also get dressy children's shoes because they go up to a size 4, which is a 6 in Women's. Walmart carries kids shoes up to size 6, which is an 8 in women's.

I got these adorable little white pearl dress shoes at Payless that look every bit like adult heels except they have a child's low heel. As in - they're not *flats*, they're *heels*, just with a very low heel. I had to take a seam ripper to remove some goofy leather flower things on top, but given the price and the heel, it was worth it.

I don't have a picture of them yet, but you can see them in this video of me performing in them: www.youtube.com/watch?v=rmgiGlDIuJw



Kids shoes don't come with fancy arch supports and memory foam padding or whatever, so I still have to add insoles, but the low heel instantly makes them more comfortable than adult heels just for that alone. I wish they made kids shoes in all adult sizes. I mean, what adult wouldn't want low-heeled dress shoes or canvas sneakers with Thor on them or pastel pink & blue boots or something? Kids have some pretty awesome shoes and lots of us are just big kids.

So, there you have it - a few ideas on where to get comfortable (or less UNcomfortable) feminine dress shoes, that will not be applicable to everyone for either aesthetic preferences, finances, or size constraints.
joreth: (dance)
www.quora.com/Why-should-you-learn-ballroom-dance-or-any-dance-and-is-there-any-benefit/answer/Joreth-Innkeeper

Q. Why should you learn ballroom dance or any dance and is there any benefit?

A.
  • Dance is a great form of exercise that includes both cardio and flexibility work.
     
  • Dance is a great form of social activity to meet new people and build friendships and community.
     
  • Social partner dancing has been shown to decrease or relieve the symptoms of some forms of dementia and to also reduce the onset of dementia (https://blogs.biomedcentral.com/bmcseriesblog/2016/04/04/keep-dancing-turns-good-brain/).
     
  • Partner dancing increases your awareness of the space you take up and your effect on those around you, so it can help build empathy skills.
     
  • Partner dancing improves non-verbal communication skills, which help in other areas of life such as romantic relationships, work relationships, familial relationships, customer service, etc.  (I teach a workshop where I teach non-dancers certain dance exercises that will teach them non-verbal communication skills to improve relationship communication with no dancing even required!)
     
  • Social dancing offers clear guidelines for social etiquette, that can help improve self-confidence or relieve social anxiety, and can offer a framework for social etiquette in other contexts.
     
  • Social dancing builds self-esteem as skill improves and as the dancer practices the social etiquette of asking for dances and dealing with rejection.  It builds emotional resiliency.
     
  • Dance brings awareness to the physical body, which can help with self-esteem, and with awareness of the body that can lead to better detection of problems and better self-care.
     
  • Dancing can be a safe outlet for physically expressing and processing strong emotion.
     
  • A regular dance regime or schedule can provide a sense of structure while combining physical activity and artistic or creative expression, all of which are extremely valuable tools for children and young adults for building and maintaining healthy self-esteem and productive patterns that can be applied in other areas of life, and for people in any life stage who may be experiencing emotional upheaval, loss, change, or feeling unsettled or adrift through changing life circumstances, or who just might need or want an anchor or a steady point in their life.
     
  • Partner dance is also great for mitigating the effects of touch-starvation, which a lot of people, straight men in particular, are brought up with very few outlets for non-sexual touch once we reach adulthood. This is a wonderful way to get some of the physical touch that we seem to need as human beings.
joreth: (dance)
www.quora.com/What-are-some-unspoken-rules-of-the-dance-floor/answer/Joreth-Innkeeper

Q. What are some unspoken rules of the dance floor?

A.
There aren’t really any “unspoken” rules, there are etiquette guidelines that most people are willing to talk about if anyone brings it up, and some guidelines that are explicitly talked about in classes. Which are which, however, depends on where you are. Some instructors remember to talk about floor etiquette and some don’t.

Basic etiquette includes things like:
  • paying attention to the amount of space you’re taking up and how your presence affects other people,

  • yielding the floor to avoid collisions,

  • inviting people to dance with you without pressuring them,

  • accepting rejection gracefully,

  • offering rejection gracefully,

  • not hogging anyone’s attention by dancing several songs in a row with them and allowing them to dance with others or not dance if they choose not to,

  • no food or drinks on the dance floor,

  • not smoking near the floor (or indoors, depending on local laws),

  • good hygiene,

  • proper shoes and attire to protect the floor, yourself, and other dancers,

  • matching dance style and skill to your partner, particularly the more advanced dancers simplifying down to match less advanced partners and paying attention to differences in body size and shape and ability,

  • thanking your partner for the dance at the end of the song and the person who did the asking ought to escort the other back to where you found them, or if partner-changing is happening quickly, at least acknowledge the goodbye with a nod, handshake, hug, high five, etc.

  • Follow the line-of-dance and/or spot dancing rules, especially when there are a mix of dance styles happening at the same time.
There may be others, but they all boil down to courtesy and accountability. Be courteous to those around you and be accountable for your actions.

joreth: (being wise)
www.quora.com/Would-you-have-a-separate-bedroom-from-your-significant-other-and-why/answer/Joreth-Innkeeper

Q. Would you have a separate bedroom from your significant other and why?

A.
I do not sleep well with others.
  • I have back problems and I need to sleep in a semi-reclined position (that means partially sitting up).  It makes my pillow arrangements inconvenient for people who sleep more traditionally laying all the way flat.  So I can’t really cuddle or snuggle with someone while sleeping, and if we’re not going to be touching at least part of the time, what’s the point of sharing a bed?


     
  • I am a ridiculously light sleeper.  I wake at *everything*. My sister used to sneak into my room at night to steal my clothing and my cassette tapes.  My parents refused to allow me to have a lock on my bedroom door because they felt it was too “secretive” and they wanted access to my room at all times (they did not listen to me when I offered for them to have a key and they did not see any violation of privacy here).

    So I became super sensitive to motion at night.   I could hear the air pressure change outside of my bedroom door when someone approached.   I woke every single night to my sister attempting to sneak in, once I developed this sensitivity. Every night *for years*.

    So sharing a room with another person who snores, tosses and turns, mumbles, moves, or gets up in the middle of the night to use the bathroom is incredibly disruptive to me.   No matter how many hours of sleep I get, when I share a room with other people, I sleep so poorly that I feel jet lagged all the next day.
     
  • I have several sleep disorders - Delayed Sleep Phase Syndrome, Sleep Paralysis, and Night Terrors.   With the DSPS, my internal sleep clock is off by about 6 hours.   My body does not think it’s bedtime until around 4 in the morning and insists that it’s not time to wake until noon.  Sharing a sleeping space with people who are on a different sleep schedule is disruptive to both of us, as one of us is not yet tired and still active while the other is already asleep and then reversed in the morning.

    With the Sleep Paralysis and Night Terrors, these things are both triggered by regular disruption of the REM cycle, at least for me.  So, things like hitting the snooze button repeatedly for several hours (yes, I’ve done this) will trigger an episode, especially if I do this for several days in a row.  Also, people who are restless sleepers and move a lot will interrupt my REM cycle enough to trigger an episode.  So are snorers.
     
  • I’m also probably a synesthete.  Synesthesia is a condition in which experiencing something with one sense is received as another sense.  So, like, some people taste color, or they actually visually see sounds.  My version is that certain sounds produce an actual physical sensation in my body that is not just the standard “air vibrations entering the ear canal” sorts of feelings, nor is it that internal thumping feeling everyone gets with really loud bass.  My favorite feeling is the sound of one particular type of singing voice that produces the sensation of what I refer to as “liquid cat fur” gently rubbing down the back of my throat.

    Snoring produces a painful, rage-inducing feeling in my head and chest.  I absolutely cannot sleep when there is any kind of snoring at all, even the occasional one-off snores that happens to almost everybody.  It will wake me instantly with pain and rage.  I’ve had to learn how to sleep with earbuds in playing music at full volume just to drown out the sound of snoring because sleeping through loud music and hard things in my ears was less painful than hearing that sound.
     
  • On top of all of these health issues, I’m polyamorous and introverted.  The introversion means that I really need space that belongs just to me, where I can feel safe and go to recharge and where nobody else is allowed in without my express permission.  In most house layouts, there are very few options for giving people their own space, other than bedrooms.  And as I live below the poverty line, affording a home with a shared bedroom and all the normal rooms and also private space for everyone quickly starts to become very expensive.  It’s easiest to make the private space also be everyone’s bedroom.

    The polyamory means that I am likely to have multiple partners.  If I live with more than one partner, then all my health issues are compounded because there are more than 2 people all attempting to sleep in the same room.  Trust me, I’ve done this, and it did not end well for me.  I was in a group once with 6 people and they all insisted on sharing a bed together.  After the novelty wore off, it became a living hell for me with 3 different snore patterns, 2 “morning people” to my “night owl” pattern, no privacy for sex, and crawling in and out at the foot of the bed without disrupting anyone else to get to my space.  Even giving everyone our own bed-sheets did not solve the problem of different preferences in ambient sleeping temperature either.

    If any of my partners do not live with me, then when I want to have them spend the night, I either have to kick an existing partner out of his own bed (and then have sex in a bed that someone else sleeps in, which doesn’t bother everyone but does bother some), or we have to have a house big enough for a spare room that’s dedicated to guests and that goes empty the rest of the time.  I don’t usually have the money for houses big enough to have rooms that are only being used occasionally.

    If I live with one partner, and our house is big enough for a shared room and a guest room, we might as well just each have our own bedroom.  That way nobody gets kicked out of their “own” bed when a guest comes over.  Then there are no hurt feelings over used sheets, interruptions of routine, feeling “left out”, etc.
My personal preference is to live in my own, self-contained space like an apartment.  My ideal fantasy is to have that self-contained space be on shared property with other partners, such as an entire apartment building for everyone in the network where we all get our own self-contained space and also a “common area” where we can come together for large family meals, recreation, etc.

This way I get my own room, I get All The Closet Space for my costumes, I get a work space for my hobbies where my clutter and mess doesn’t impact anyone else, and a kitchen where *nobody touches my knives except me*, and yet I can walk barefoot down the hall, or in some state of undress, to the next door over to visit with a partner or metamour, and there is enough separation between us that sounds of sex or loud music or enthusiastic video game play are not intrusive to anyone.

This whole sharing a bedroom thing is a relatively recent trend in human history.  We have tried a whole slew of different sleeping arrangements, each with their pros and cons.  There is no reason to believe that the house layout of one master bedroom for a romantic couple and several smaller bedrooms for children with common rooms like a kitchen and living room, is the “proper” configuration.  That was a lie told to us by post WWII propaganda in the United States trying to force everyone into a nuclear family setting for a capitalistic, patriarchal society.

Family structures have varied all over the map throughout time and across cultures.  This one particular configuration should not be the “default” that everyone falls into automatically, and those who don’t are considered deviations.  If anything, this nuclear family model is the historical deviation, and it’s turning out to have less and less applicability as American and Western European cultures evolve into more ethical structures allowing more freedom for individual variation and preferences in people’s pursuit of happiness.

I think more heteromononormative relationships would benefit from separating sleeping quarters and developing personal spaces within shared homes the way some of us who do relationships differently have done with our own families.  This doesn’t mean that people can’t be *allowed* to share sleeping space when they want to.  Just that having their own space and learning to accept sleeping apart as a “normal” option for relationships (rather than a sign of a problem) helps in developing autonomy, individuality, and solves a lot of poor sleeping habits that we Westerners are kinda famous for.

Once we start sleeping better, the rest of our days tend to get more productive and we become generally happier, which will spill into the happiness and success of our romantic and familial relationships.  We currently spend a lot of money on various products designed to mitigate or compensate for the problems that come along with shared sleeping space.  Those are problems that could be solved entirely by simply not sleeping together (when our circumstances and finances allow for it).
joreth: (polyamory)
I just heard this amazing power counter-move that I propose ought to become Standard Operating Procedure for polys:
  1. You meet someone through some kind of online sphere, probably a dating service or social media of some kind.  It progresses to plans for a "date".
     
  2. After the date has been made but before the date happens, they spring "btw, my pre-existing other partner is coming too" on you.   You did not know they had a pre-existing other partner and/or they only have the one pre-existing other partner and/or you have not established your own romantic / sexual interest in said other partner.
     
  3. You immediately invite a minimum of 2 other people who are special or important to you - preferably romantic / sexual partners, but any 2+ people who are important will do.  Bonus points if at least one of them is cismale.
It doesn't matter if you are open to the possibility of being involved with two parts of a couple under the right circumstances.  If someone pulls the Unicorn Hunter Bait & Switch on you by making a date with you and giving you the impression that it's a date between the two of you, and then "invites" their existing partner along after the plan has been made, you should "invite" someone else along too.

But it ought to be at least 2 other people.  If it's just one other person, it could turn into a swingers Bait & Switch.  While most UHers are not comfortable with the thought of their unicorn having any other partners, wife-swapping is still a thing that people know about, and so may be familiar *enough* for a UHer doing this predatory maneuver to counter-move against your counter-move.

And if you invite only one other partner who is a woman or presents as a woman or is perceived as a woman, this could just amp up a predatory man in a UH couple to attempt a foursome fantasy of multiple "women" all doting on him and doing Hot Bi Babe stuff for his pleasure.

Having 2+ other partners along distributes the numbers unevenly in your favor, re-imbalancing the power distribution that they are counting on having with their 2-on-1.  This is very unsettling for people who are deliberately setting up situations to disempower their dates, as a Bait & Switch suggests they are attempting to do (even if subconsciously).

If they're not doing this to disempower anyone (again, whether they recognize they are doing it for this reason or not), then the thought of their date inviting their other partners when they invited their own other partner ought not to feel threatening or unbalanced to them.

I tend to invite people I'm interested in to public or social events first, especially if I will have a partner or two there.   This gets the whole "meeting the other partners" out of the way early and I basically throw them in the deep end by seeing how they respond right up front to me having to share my attention among several people at once.   Plus, how we behave in front of our friends is often different than how we behave on a first date with someone we're hoping to impress.  So if they invite their other partners to a party or club or whatever I invited them to, I would think that's great!

But then again, I wouldn't be doing a Bait & Switch.  I would say right there in the invitation "I'm going to a friend's party and several of my partners will be there.  You're welcome to meet me there, and also to bring guests!"   People who decline to meet me in public settings tend to get rejected pretty soon, so it's kind of a litmus test for me as to how poly they are.   But now I'm digressing.

Odds are, you will get a last minute cancellation from your "date".  In which case, you now have plans with 2 of your partners / friends / family! Go out and have a good time!

BONUS MOVE:
  1. They reschedule supposedly just the two of you, but pull the Bait & Switch a second time, leading you to believe it's a 2-person date and only after the date has been arranged, they mention bringing their "other".
     
  2. You invite your 2+ guests again but don't mention it to them this time, so that when the couple shows up (which they will this time because), they are not expecting 3+ people.
It is not necessary to lie about inviting your 2+ guests, just don't mention them when they pull the Bait & Switch on you.  I am not normally in favor of lies even of omission, but I do think, in this particular set of circumstances, it's not unreasonable to assume that they will assume that if they invite a partner, you will invite 2+ partners *because that is how it already happened*.

Now, if they have the gall to say "btw, my partner is coming along, but could you not invite your other partners this time? We want it to be just the 3 of us", well, I won't advocate deliberately lying about inviting them, that's your call to make.  I, personally, would probably just end the game right there by calling them on their hypocrisy and predatory behaviour before blocking them.  But it's an option one could take.
joreth: (feminism)
I am in love with this corset vest meant for masculine fashion. I need to make one with feminine lines for me now.

Y'know, in my copious spare time.

The other corset vests seem to be more like standard corsets but with masculine lines.  The one in the thumbnail looks more like it's double-layered with a corset underneath and a vest on top.   That's the one I like and that's the one I'll be making, if I ever get around to it.

There was a great forum thread somewhere about how to make dresses for masculine fashion / male bodies.  The discussion was about how the trick was to not just put men in dresses, but to tailor non-pants to male bodies using "masculine" lines.

Feminizing male bodies or mixing masculine & feminine fashion is a different thing.   This was about taking "women's" clothing and turning it into something masculine people can wear and still be masculine.  Women have tons of examples of taking "men's" fashion and turning it into "women's" fashion by re-tailoring it to fit curvy bodies or using more feminine lines and elements.  Darting a button-up collared shirt, for example.

That's part of how we got away with expanding our available fashion choices into more masculine avenues, such as wearing pants - we feminized pants and now women in pants is just seen as "normal", whether they're feminized versions or not.

If men in our extremely patriarchal, fragile masculinity culture are ever going to move towards more freedom of fashion expression and break out of their much more narrow fashion boxes, one of the ways to do it is to masculinize traditionally feminine clothing, the way we feminized traditionally masculine clothing.

The examples in the thread (that I wish I could find now, so I could share it) gave some really great examples of do's and don't's for masculine skirt-wearing.  One suggestion was to avoid emphasizing the waist, which is the opposite recommendation for feminine styles because emphasizing the waist in a feminine style is intended to highlight the curve of the hips, waist, and ribcage.

Instead, drop or raise the waist, or pair it with shirts, blouses, or jackets that go about butt-length, to make more of a rectangular or triangular shape rather than an hourglass figure.  We see this in tuxes, where the waistline is hidden beneath a cummerbund or vest and the jacket extends to below the butt or even as low as the knees.  This elongates the torso and creates rectangle or triangle shapes instead of curved hourglass shapes.

This corset vest manages to both shape the midsection and also follow the above guideline by not shaping it in the same way that feminine corsets do with hourglass silhouettes and extending to the upper hip, creating a long triangular shape by extending the shoulders with the curve in the seams, which is very masculine.

As a straight woman, I'm attracted to masculinity. I just am, I can't help it. I think if I saw a man wearing this in real life, I might just swoon.
joreth: (dance)

As a former musician and a dancer, this really gets under my skin. As someone who is proficient enough in music to have developed an intuitive sense of things, but who was never trained on how to *teach* this stuff, I can't always explain it.

But when I teach people how to dance, I actually use math. Because music is fundamentally a mathematical construct.

And I know that this [4/4 time - 2nd and 4th beat] thing is a product of my culture. It's why I had a hard time with some Bhangra dancing, because a lot of tribal and folk music emphasizes the 1st and 3rd beat (when it's 4/4 time, which is not always true in folk music). I'm aware this is a cultural thing.

But in Western music, this is one of my pet peeves. Which is why I love Harry Connick Jr. so much.
joreth: (being wise)
https://www.quora.com/What-should-an-orphan-girl-do-to-get-married/answer/Joreth-Innkeeper

Q. What should an orphan girl do to get married?

A. Are you asking how a person without living parents goes about finding a romantic partner who will eventually become a legal spouse?  Or are you asking how to conduct a wedding ceremony without living parents to fulfill some of the traditional roles like the father walking the bride down the aisle or the father-daughter dance?  Because those are two very different questions.

A person without living parents goes about finding a romantic partner in the same way that everyone else does - they meet people, eventually falls in love with one (or a few) of them, decides that legal marriage is the right step, and then gets married.  There is nothing about parents necessary for any step in that process.

Some cultures do set up marriages through the parents as brokers.  The parents find the appropriate spousal applicants, a choice is made (either by the prospective bride and groom or by the two sets of parents), and then the parents arrange for the wedding.  In that case, when there are no parents to make these arrangements, the process is going to be much more difficult for a person without living parents to find a spouse.

For that scenario, I can’t offer any advice because I am not part of a culture that encourages this process, so I don’t know what the acceptable alternatives would be for them, because each culture that has this practice might have different protocols for choosing alternatives.  Perhaps some elderly neighbors would step in as the parents?  Maybe there are organizations that perform this service for a fee?  I don’t know.

As for how to have a wedding ceremony when there are people missing from certain key roles, well, there are tons of alternate wedding ceremonies out there.  Unless you are just absolutely dead-set on having a traditional wedding where those roles are mandatory, in which case, again, I can’t help you with that.  You have to be willing to be flexible if you want to participate in a tradition when you are not in a traditional situation.

My parents are living, and yet I did not have any traditional parental roles in my wedding.  My father did not walk me down the aisle, we did not have a father-daughter dance, my spouse’s parents didn’t attend at all so he didn’t have a mother-son dance, my father didn’t give me away, they didn’t even pay for the wedding.

We designed our own ceremony that followed the *pattern* of a generic American Christian wedding ceremony, but that actually subverted all of the traditional elements.

In our “unity ritual”, we performed a ritual that emphasized our individuality and interdependence rather than our joining into one.  In our family ritual, we acknowledged the importance of our other partners and family members as part of the whole and including them in our marriage, rather than talking about the family we would be creating with each other.

We did not have an aisle at all and the groom not only saw me and the dress before the ceremony, we got ready in the same room.  The entire wedding party (including the bride and groom) mingled with the guests before the ceremony, and when the wedding music started, we just all met up on the stage from wherever we were standing, rather than walking down any aisles.  We also did not have a groom’s side and a bride’s side.  We had our bridesmates and groomsmates standing interwoven with each other in a semi-circle behind us, with us facing the audience (so they could hear), and our officiates standing below and between us and the audience.  Also, we had mixed genders in our respective wedding parties.

We kept the ring exchange, because Franklin likes wearing rings, but we have an understanding that I will not wear mine regularly because I don’t like wearing rings in my dangerous, manual labor job.  We kept the first dance because the thing that started this whole ball rolling was my passion for dance and Franklin recently discovering his, so dancing together was an important symbol for us.

We didn’t have a cake cutting (I made mini cupcakes), we didn’t have a bouquet toss or garter toss, we didn’t have rice (but I did provide bubbles), we didn’t have a bachelor party (we had a pre-wedding party that everyone attended together, no gender segregation) … we didn’t have most of what makes an American Christian wedding a “wedding”.

And yet, it still looked like a wedding.

 

I have the entire thing detailed at http://bit.ly/SquiggleWeddingCon - the ceremony, the food, the music, the dress, all the pictures, everything.

Your wedding can be however you want it to be.  If you want it to *look* traditional but make some changes like not having parental participation, you can do that.  If you want to go out of your way and make it look totally different, you can do that too.  It’s your wedding.  It’s supposed to symbolize the people getting married - who they are together and the life they are building together.  So make your wedding ceremony reflect that.  If that means that someone doesn’t have living parents, then that’s how the ceremony will look.
joreth: (polyamory)
Reminder:  I teach people how to deal with media requests.  If you get approached by a "journalist", and you don't already have this training from somewhere, you can ask me how to vet them and make sure they're legit and that your story will be treated fairly.  There are a lot of unscrupulous people who get to use the title "journalist", or "producer" who have an agenda or a story that *they* want to tell, and they want to use you merely as characters in their story.   Especially if they have a public persona and can leverage their name as credibility.

Learn how to check into the background of someone who approaches you for a story, a TV show, a documentary, a news segment, an article, whatever, to make sure they really are who they say they are and that they have verifiable evidence that they are a) working for who they say they are / working on the project they claim to be working on and b) will treat you with the proper journalistic ethics and respect.

Polyamory Media Association
joreth: (polyamory)
www.quora.com/Couples-who-have-stayed-in-nontraditional-long-term-relationships-swingers-poly-etc-How-do-you-feel-about-your-relationship-now-What-would-you-tell-young-couples-who-choose-that-lifestyle/answer/Joreth-Innkeeper

Q. Couples who have stayed in nontraditional long term relationships (swingers, poly, etc.) How do you feel about your relationship now? What would you tell young couples who choose that lifestyle?

A.
I feel content, satisfied, excited, loved, aroused, humbled, and inspired by my relationships now. Notice that I used the plural there. Because I’m polyamorous, I have more than one relationship.

I am not a couple. I am not half of a couple. I am a whole and complete person who also has partnerships with other whole and complete people. I have my own identity, my own agency, my own autonomy, as do my partners. Because we are whole and complete people, we are *able* to enter into mutually satisfying and fulfilling partnerships of equals and we are able to design the kind of relationships that make us happy. One cannot have ethical relationships with half-entities or incomplete people.

As Jessica said, if you’re starting out as a couple, you’re already doomed. I would tell all new “couples” that they need to first disentangle themselves and find their identities that they have subsumed into their relationship before trying to engage with other people, regardless of the style of non-monogamy or non-traditional relationship they’re interested in.

Everyone you get into any kind of relationship with deserves to be in a relationship with a whole and complete person, not a relationship construct.

Rediscover your identity. Take back your autonomy. Become whole and complete people who are in a partnership with each other. And *then* try something different.

The Most Skipped Step[s] When "Opening A Relationship" + 1

I would also tell people in couples that it is not possible to “open up” an existing relationship. All relationships are between individual people. You have to deconstruct your relationship first and then reconstruct it as a new, “open” version (whatever version that means for you) where two individual people are now in a relationship that accommodates whatever non-traditional format you’re pursuing.

You might have to literally break up first and then get back together with a renegotiated relationship structure. Practice saying that: “we are not ‘opening up’, we have deconstructed and are reconstructing a totally new relationship that is open to X”.

"Opening Up" A Relationship Doesn't Work, Try This Method Instead

And then basically read everything I write under my Couple Privilege and Unicorn Hunter tags on my blog (which, to be fair, has some strong overlap):

Entries tagged with unicorn hunting
Entries tagged with couple privilege

Mostly I tell young people not to try polyamory.  It’s not really something that you can just “try”, like test driving a car.  The car has no feelings about your inexperienced handling of it and subsequent return to the dealership.  These are real people you’re “experimenting” with, and we don’t like being people’s chemistry experiments.  We’re usually the ones who get blown up in the lab when you make a mistake and then decide that open relationships aren’t for you and you go back to your comfortable, safe, monogamous couple.

While nobody knows for sure what they want if they haven’t done it before (and people are notoriously bad at predicting what will make them happy), I would rather not see anyone “try” open relationships.  I would rather see people taking a really good, long, hard look at themselves, really considering all the options, and deciding that this is something they feel, down in their very soul, that they need to be doing right now.

They don’t have to decide for sure that they definitely *are* poly, or whatever.  They don’t have to decide ahead of time what their relationship structure will look like (in fact, please don’t do this either).  They don’t have to make a choice that they will be forced to stick with for the rest of their lives.  They just have to decide that they will be jumping, all-in, when they make that leap, that this is a decision they are wholeheartedly embracing, regardless of the outcome.

They can have some wibbles, some concerns, some doubts, some fears.  Courage is not the absence of fear.  It’s acknowledging the fear and then doing it anyway.  But when “couples”, or people go into open relationships and leave a “back door” open for themselves, that makes the people they are asking to entrust them with their hearts (or their bodies) disposable.  That’s a Sword of Damocles hanging over their heads.  That’s not fair, or ethical, for anyone.

If you can hear the cautionary tales and people like me saying that this is not a decision to make lightly, that you are responsible for how your actions affect those you get involved with, and you think about the type of relationships you’re attempting to have and you still really want them and feel like this is the right path for you to be on, then great.

But if you’re doing it because someone you love wants to and it’s the only way to keep them, if you think it might be “fun” to “try something new” or “spice up your relationship”, or you think that maybe you could be willing to explore something as long as there is a safety net for you to fall back on … don’t. Just … don’t.

And one last thing - listen to the community.  New couples have a tendency to come up with an idea and then relentlessly pursue it, while the veterans in that relationship style tell them there are better ways, and the new couples get mad at the community for being “mean” nor “not accepting” or “intolerant”.

Look, you’re not the first one to try this.  You’re also not a special snowflake who can somehow make all the same mistakes that thousands of people before you made but will come out of it with different outcomes.  The veterans are telling you things that often they wish they had known before starting out.  We’ve learned the hard way so that you don’t have to.  If the whole community is telling you that you’re “doing it wrong”, or you feel that everyone is against you, it’s probably something that *you’re* doing, not everyone else.

You’re going to have to learn some humility here and learn to listen to hard things from people who have been there, done that, wore out the t-shirt.  There is a *reason* why communities develop community wisdom or trends for how things are done.  You don’t need to burn your hand on the candle flame (or worse, burn someone else’s hand because you wanted to play with fire) - we learned a long time ago that fire is hot and how to play with it safely.  Listen to us and you’ll decrease the chances of anyone getting seriously burned.
joreth: (boxed in)
Photo of me masked backstageI've had enough people ask me now how to make my adhesive masks that I'm making a tutorial. At the moment, I don't have pictures of me constructing the mask, so I will add those later, perhaps the next time I make one. But I can write out the instructions. I have been putting it off because I want to make a video, so I'll add that later too, when I get around to it.

I have chosen an adhesive mask that creates a full and complete seal all the way around for better control of the air leaving my mouth (no air leak up into my eyes or glasses!), and a "beak" shape that creates a pocket in front of my mouth that makes it feel easier to breath. I wear this mask while dancing for several hours and I can breathe fine in it. If Disney employees can dance around in a full fur suit, I can certainly handle social dancing and grocery shopping in a cloth mask.

The adhesive is intended for use on human skin and during athletic activity, so it stays on even while sweating and heavy breathing and I have no reaction to the adhesive. I do tend to wash my face around my nose and mouth afterwards, though, because the moisture from my breath being trapped around my face makes me feel like my skin is getting oily, but I have not seen any irritation or abrasion or even acne or skin blemishes from wearing this mask regularly.

Items you will need:
  • Kinesiology Athletic Tape
  • Some kind of filter material
    • coffee filter
    • tissues
    • toilet paper
    • air filter for your air conditioning unit
  • Scissors
If you're feeling particularly crafty, you can also get a hot glue gun and some hot glue, and some other decoration. I'll include a picture at the end of a red mask I made with some black lace over the top.

The first thing you'll want to do is choose your filter material. This mask is not rated for anything, even if you use some kind of rated filter material, so you need to think of it as being approximately as safe for the people around you as a standard cloth or surgical mask. It is probably safer because of the seal around the mouth and the filter material, but because it has not been tested and approved for anything, you ought to treat it as if it's only as effective as the standard masks.

So you can choose your filter material to be out of anything you want. I mainly decided to create a filtered mask because I needed something in the middle of the adhesive to keep it from sticking to itself. It turns out that air filters for home air conditioning units are often the same price regardless of size - the price is determined by the level of filtration.

So I bought the highest HEPA-rated filter I could find, which included anti-viral filtration, in the largest size available. This may or may not still be effective once it's applied in the mask, so this is why you should treat the mask as if it's a standard mask.

Anyway, you can buy an air filter and get a TON of usable material. Combined with the cost of a package of athletic tape, I estimate my masks to cost me roughly 50 cents per mask. If you are using an air filter, you will need to separate the filter material from the frame. This can take some work, and there are YouTube videos out there showing how to do this.

Basically, you need to cut the chicken wire off of the face of the frame (on both sides) and then cut the filter around the edge to separate it from the cardboard frame. It's simple to do and regular scissors will cut the wire, but the wire is sharp and can poke or cut you while you're working, so take care with this step.

Once your filter material is free of any packaging, you can work with it to make masks and you can store the excess (if any) in a plastic bag for the next mask. If you choose to use coffee filters or tissue or any other filter material, this preparation step should be significantly less work.

So, now that you have your filter material and it's ready to be worked, you can start constructing your mask. Next you will need to prepare your athletic tape.

Kinesiology tape tends to come in 2-inch strips or rolls. Some brands of the tape come pre-cut into roughly 10-inch lengths. Most of them include a grid on the back to use as a cutting guide. I found that the pre-cut strips fit me well if I shortened them by about 4 squares (approximately 7-8 inches). This will take some experimentation on your part.

I can wear a mask with a pre-cut strip that has not been shortened at all, but I like it better at around 7-8 inches in length. I have a very small face and I fit most large children's size things. Average people will probably fit fine into 2 10-inch strips "standard" version. Larger people may need to to use the un-cut rolls and make it longer and/or with 2 1/2 or 3 strips instead of 2.

So choose your tape color and determine the length you need.

Now that you have your tape and your filter material, we can begin the instructions:
  1. Take 2 strips of tape of the appropriate length. Peel back the adhesive backing along the length of one of the strips by about 1 square (1/4 inch). Place the other strip face down onto the now-exposed adhesive, overlapping the two strips and creating a double-width band of tape just shy of 4 inches wide.
     
  2. Remove the backing from both strips and place face down on a surface with the adhesive face up.
     
  3. Cut 2 strips of the filter material, one smaller than the other. The larger strip should be approximately the dimensions of your double-wide mask, minus about a quarter inch all the way around (so, if your mask is 4" x 10", you'll want a piece of filter material approximately 3.5" x 9.5" - this does not need to be exact and it can be a rough cut. The important part is that one piece is bigger than the other and the bigger piece is smaller than the whole mask). You can also choose to have only 1 layer of filter. In this case, make your filter to the "larger filter" dimensions.
     
  4. Place the smaller filter in the center of the double-wide strip, right on the adhesive. Place the bigger filter over it and press down around the edges that are touching the exposed adhesive. If you go with only 1 layer of filter, you only need to do this step once - place the filter in the center of the adhesive, leaving about 1/4" of adhesive exposed all the way around.
     
  5. Now you should have a rectangle of athletic tape with a patch of filter in the middle and a strip of exposed adhesive all the way around.
     
  6. Mask folded in halfCarefully fold the mask in half, so that the short ends meet each other (but don't touch!). Along one long side only, press the exposed 1/4" inch of adhesive edges together to create a seam. This forms your "beak" shape. It looks kind of like one of those simple leather or duct tape wallets kids make at summer camp.
     
  7. Now, with that seam on the bottom / front, going from your chin to your beak's "nose", place the beak over your mouth and nose and press the rest of the exposed adhesive over the bridge of your nose and smooth down your cheeks.
     
  8. You can choose to leave your chin free of adhesive, so that air escapes out the bottom if you want to get a straw inside to drink (this basically makes it about as protective for others as a surgical mask with its gapping around the face) or you can seal the adhesive all the way around your face.

    Leaving a gap at the bottom will also make it cooler, so I tend to do this after I've finished dancing, when I'm back at my table, to cool off and to drink water, but I close up the seal at my chin when I'm interacting with other people.
Me in mask in front of lockersSo that's it! Once you get the hang of it, it's really simple and only takes a few minutes.

Current recommendations are that disposable masks should be replaced about once a day or if it gets wet while reusable masks should be washed at least once a week - for those not in the medical field and only using them in moderate settings.

I tend to wear mine for about a week, using the reusable washing guidelines, because these are so much heavier duty than typical disposable masks and I generally only go to the grocery store and to my office. I tend to make a brand new one on the very rare occasions that I go dancing with my established dance partner. I do not recommend making these ahead of time because you expose the adhesive during the process, which will decrease the length of time you can wear one.

To reuse it, I keep the strip backings. Then, when I take my mask off, I fold the backing strips in half, and I insert them into the mask, with the fold of the backing tucked into the fold of the mask. They end up crossing each other like an L or a V.

Then I press the mask flat with the backings between the layers to keep the adhesive from sticking to itself, and store it until I need it again.

After about a week of wear, the adhesive stops sticking consistently. My record so far was 6 days of 8-hour use with 1 evening of dancing (and sweating) in the middle of that run. It now takes me about 10 minutes or less to make a mask (depending on if I have to cut off more filter from the pack or if I have some strips already pre-cut). I was also able to wear a mask that I had made probably 3 or 4 days prior so it was sitting open for several days. I did this for testing purposes, so I recommend changing your mask more frequently.

Here are some pictures of me in the mask:
 
Me in mask with safety goggles

Me in red xmas mask


Dancing with Colin
 

And here is a picture of my red and black lace version:

Red Flapper MaskThis was made the same way, but before I removed the backing to add the filter, I added the lace. I found a 2-inch black lace ribbon that I liked. I cut 2 strips the same length as the athletic tape and placed it over the top of the tape. Using my hot glue gun, I glued the lace around the edges and along the center seam.

To hide the glue, I also took some strips of black sequins and hot glued that all the way around the edge and along the center seam. This held up during several hours of dancing and in a combination of temperatures, which can stress hot glue. If you use a fabric or material that is at least 4 inches (or wider than the mask), then you only need to glue around the edges, not along the center overlap seam.

Once the glue was dry, I completed the steps starting with step #3, adding the filter and folding the mask into shape.

Adding the lace and sequins really classed up the mask. I could see doing this with a variety of colors of lace, or just sequins, even individual sequins in a pattern all over instead of a ribbon strip. But the bare tape in a variety of colors is pretty festive all on its own too.

And here is a short video of me dancing in the first mask I made:

 
 
joreth: (feminism)
Btw, just in case anyone else needs this info, I found a menstruating aid that can be worn during sex.

I decided to finally try out a diva cup type thing so I could go without underwear (which means no pads, and even though I can't wear tampons (TSS), I didn't want the string hanging down either).  I assumed I would be limited to no PIV, just other activities with a cup in, and that was fine as long as I could show up in a short skirt and no underwear and not get blood everywhere.

But right next to the cups was this package of something called Softdisc (disposable discs) that said on the side it could be worn during sex.  I know there are other products that can be worn during sex, but this was the only one on the shelves that said so on the package.  Probably my very first time wearing an internal menstruation aid shouldn't have been a product I had never heard of before while doing something ... questionable with it on.

But I tried it on the night before to get the hang of it and to see if it would trigger my TSS or otherwise be uncomfortable, and told him that if he could feel it and it was bothersome, we could stop and do other things.  He was all for trying it.

It's a large plastic ring with a soft, crinkly bag attached, like an internal condom, only the bag is much shallower.  You squeeze the ring to make a long strip instead of a circle, and push it in and *down*, not up.  Then, once it gets past the pubic bone, you push the ring up to form a seal around the cervical opening.  It just kinda hangs out there, hovering above the vaginal canal.

I could feel the ring with my finger (which is good because how could you take it out if you can't find it again?) so I assumed the hard ring would either be uncomfortable for him or get slammed into my cervix.  Neither happened.  He said he could barely feel it and it wasn't uncomfortable, and I didn't notice it at all.

However, it did slip a little, so I spotted afterwards until I changed it out.  And because it wasn't sucked up where it should have been, it slipped a lot during a bowel movement push.  That's how you remove it, btw, you push to make the ring more accessible and then hook a finger under the ring and pull while still pushing your bowel muscles.

So I would recommend changing it after penetration, but it worked as advertised.  And now I can have penetrative sex while on my period!  (I don't like messy sex, so I refused to before)
joreth: (sex)
https://www.quora.com/I-m-an-aromantic-virgin-who-wants-to-have-sex-Should-I-just-do-it-with-someone-since-there-won-t-be-a-special-guy-in-mind/answer/Joreth-Innkeeper

Q.   I’m an aromantic virgin who wants to have sex.  Should I just do it with someone since there won’t be a special guy in mind?

A. 
 I don’t believe that anyone else can tell you what you “should” do with your own body.  But I can say that I wanted to have sex for the first time just for the sake of having sex, and not for any sort of romantic ideals connecting sex and love.

So I did.  And I don’t regret it at all.

I chose someone who fit my requirements at the time, including the fact that he also did not want a romantic commitment from me, we had sex, I got my “first time” over with, and I went on with my life.

I’ll be totally honest, it was not *everything* I had hoped for.  I actually had another person in mind, but he backed out at the last minute, so I went for “next best”.  I believe that it would have been more pleasurable had I either had the chance with the first guy or I had waited to find someone equally suitable, rather than “well, you’ll do”.

That said, however, I’m glad I did it the way I did.  I learned some things about myself and I have continued to take those lessons with me throughout my life and expand on them.  I enjoy sex without a romantic attachment, and I enjoy having the freedom to choose when I want sex with that romantic attachment and when I want sex without it.

So I won’t tell you that you should “just do it with someone”, and I most certainly won’t tell you that you need to “wait for that someone special”.  If you meet someone and you feel it’s right for you and they consent to it, then go for it.

Make sure you get a good sex education in terms of STD protection and treatment (and contraceptives for hetero sex), maybe do a little research into power imbalances to make sure you aren’t being taken advantage of and you don’t accidentally pressure someone or take advantage of someone else, and then if it feels right for you, you can make an informed decision to have sex just because you want to, not because you’re “supposed to” (or, alternately, you don’t put it off just because you’re “not supposed to”).
joreth: (sex)
https://www.quora.com/Some-women-say-they-dont-want-a-guy-to-ask-for-permission-to-kiss-them-They-say-Just-do-it-But-the-MeToo-movement-and-current-culture-seem-to-make-it-risky-for-a-man-to-take-any-actions-without-getting-consent-How/answer/Franklin-Veaux

Consent is so difficult for some people to grasp!

So, I have a non-consent fetish. I really like rough, violent sex. I like it when it feels like my partner is so overcome with lust for me that he just takes me without regard to my feelings on the matter. My interest in violent sex waxes and wanes depending on other variables in my life. Sometimes I really don't want any violence at all and I'm totally into the whole sappy romance-with-candlelight-and-soft-focus-filter thing. But when I'm in a depressive state, my interest in violent sex is particularly strong.

I happen to be in one of those depressive states right now, while simultaneously actively looking for new partners. Which means that dating is particularly frustrating for me, because I really want that whole swept-away, passionate, lustful experience but men are just awful and I can't stand them right now because politics and depression. When some of the people on the dating apps that I'm using start right out with the kind of aggressiveness that I could have been into, I get pissed off at them. So, things are complicated for me right now.

But if I was out with someone, and there was some chemistry between us, and he did this to me ... I'd probably drop trou right there. Aggression, control, and still consent.
"lean in and whisper in someone’s ear, “You’re very attractive and I would love to kiss you, but I’m not going to unless you tell me you want it.”"
What if something like that happened at each stage?
  • "I want so bad to touch you right now, but I will not unless you tell me you want it."
  • "Tell me how much you want to stroke me, and then do it."
  • "I want to feel your heat, your wetness, I can tell you want me to, but you have to ask me for it first."
  • "You smell so good, I want to taste you. As soon as you tell me you want me to."
  • "I'm right here, about to penetrate you, but I'm not going to, unless you tell me you want it."
joreth: (boxed in)
When my oldest nibling was in high school, we went to the mall together once and he saw a belt with an Iron Cross buckle. He went up to it and expressed interest in buying it.  I leaned down and asked him if he knew what that symbol stood for. He said no, he just liked how it looked and he's seen other people wear it. I quietly told him that he ought to research the history of that symbol before he wears it.

He asked why. I told him that, although that symbol has other associations, the one that most people know it for is its association with Nazis, so that's what people will assume if they see him wearing it. Did he really want people to think that of him?  I said that if he goes home and looks up the history of the symbol, and then still wants to wear it, then at least he will be making an informed decision and can defend his choice to everyone who challenges him about his belt.

He never did buy that belt buckle.

The things we wear tell people about ourselves. Sometimes, those things are lies, propaganda purposely spread to discriminate against people, such as "hoodies = thugs". Most of us wear hoodies, but when young black men wear them, especially with the hood up, people who aren't young black men automatically assume they are participating in criminal activity. Even when it's cold outside.

Other times, those things are truth, a shining beacon telling the whole world your inner most beliefs about those around you.

Like how I wear an infinity-heart symbol so that everyone who sees it and knows its meaning will know that I'm polyamorous. I might still have to clear up some misconceptions, but there wasn't a deliberate smear campaign to associate an infinity-heart with, say, puppy-kicking or something.

Know what you are saying about yourself when you choose your symbols. If you think the assumptions about your symbols are wrong, then you can go out into the world prepared to defend yourself but only if you know what those assumptions are.

If you're OK with the assumptions your symbols say about you, then you don't really get to whine when people who don't like the message call you out on it.
joreth: (being wise)
I am frequently asked for TV recommendations. My parents just asked me to write down all the shows I was recommending to them because I apparently blurted out too many titles to remember. So I started writing out a list, and then also a short description so that she would know what they were about and why I recommended them.

Then I got the idea to archive this list somewhere and add to it as I go so that I don't have to keep writing it out every time. I watch a shitload of television (and movies), across just about all genres, and it's hard to remember them all, or to remember which movies to recommend to which people, who might have different tastes.

So I'm going to attempt to start a list. We'll see how well I keep up with it. I'm starting with a list of TV shows that I think my parents would like including my own description, and I'll be adding titles of shows that I recommend for other people, along with descriptions of those at a later time. For right now, if it has a description, it's because I'm recommending it to my parents. If it doesn't, then I recommend it, but for people who have different tastes than my parents. Later, when I update this post, I'll also update the explanation here.  It's late, so I'm just trying to get through my parents' list right now and I'll come back to this later for the others.

I am also going to list what network the show is on, but if the networks keep changing their inventory to make it too difficult to keep up, I'll abandon that. I may make a Listal list, but I can't include commentary on individual entries, just the groups within a list (apparently I can: https://www.listal.com/list/my-tv-show-recommendations).

I may also consider an airtable database, but you have to create an account (apparently) to see my databases and I know my parents are not going to do that, so that's a project for later down the road. I really like the Listal service, but I also really want to have my commentary on each listing.

So, for now, my TV show recommendations:

Netflix
  • Grace & Frankie - hilarious comedy. 2 very different women in their '70s who don't like each other get dumped by their husbands so they can marry each other and the two women end up supporting each other. Hijinks ensue.

  • iZombie - cop drama with an undead twist. A promising young doctor gets attacked at a party on a boat, falls overboard, washes ashore, and wakes up dead with a craving for brains. Unable to tell anyone that she's a zombie now, she gets a job at the city morgue so that she can steal brains without anyone noticing. She discovers that she takes on the personalities of the brains she eats and also accesses some of their memories. When a murder victim comes in, she tells the investigating police officer that she's "psychic" and starts teaming up with him to solve crimes.

  • Cobra Kai - surprisingly good drama. Bad guy from the Karate Kid movie, Johnny Lawrence, is all grown up now and re-opens his old dojo and starts teaching karate. But he's still a jerk. Daniel LaRusso is now a successful car salesman with a beautiful wife and kids who tries to stop Johnny from imposing the abusive values of Cobra Kai dojo on the next generation.

  • The Good Place - absurd comedy. Eleanor wakes up in an office waiting room, where she is told by an administrator (played by Ted Dansen) that she is dead and in the good place. But the description of Eleanor's life on earth in her file is not true. Now Eleanor has to figure out how to prevent anyone from finding out that she was actually a terrible human being so that they don't kick her out of the Good Place and send her to the Bad Place.

  • Lucifer - supernatural cop drama. Lucifer, God's favorite son and angel who was cast out of heaven to rule hell, decides that he's done taking orders from an absentee father and abandons his underworldly administrative position for a life of luxury up on Earth. Where he meets Detective Chloe Decker and discovers that he rather enjoys helping her solve crimes even though she seems to be the only human on the entire planet who is immune to his charms.

  • Crazy Ex-Girlfriend - musical comedy. Rebecca Bunch is a successful New York City lawyer with a ton of anxiety problems who spontaneously decides one day to quit her lucrative position and move across the country to California, where her old middle school boyfriend lives, because dating him one summer is the last time she remembers being happy. The question is, can she convince him to love her and get back together, or is she just a psychotic stalker with a penchant for sappy musical numbers?

  • Dead To Me - thriller / mystery. Recently widowed when her husband was killed by a hit and run vehicle, Jen struggles to cope with single motherhood and latent anger issues. Until Judy appears in her life. The exact opposite of foul-mouthed, angry Jen, Judy is sweet and kind and a little bit hippie-dippy. But who is she? Where did she come from? And who killed her husband?

  • Dexter - cop drama with a murderous twist. Dexter is a forensic scientist with the Miami police department. He investigates murders by studying the methods by which people kill, including a specialty in blood spatter patterns. All the better to hide his own serial murders. But it's OK because he only kills other bad guys!

  • Fuller House

  • Sense8

  • Altered Carbon

  • One Day At A Time

  • Black Mirror

  • Sex Education
Hulu
  • Elementary - Sherlock Holmes cop drama. Sir Arthur Conan Doyle never liked the character he created and deeply resented his popularity. Consequently, the character of Sherlock Holmes is kind of a jerk. Doyle was trying to tell us that the sort of person who relies on "logic" is someone we should dislike, but for some reason, everyone loved his stories anyway. Over a century later, dozens of remakes have been made but they all have to work with this unlikable character. This imagining takes the Sherlock character into new realms, with Lucy Liu as Dr. Watson, not his sidekick and chronicler but a partner who can hold her own against the legendary Sherlock Holmes. Holmes and Watson team up together to solve crimes while we get a very different perspective on who they both are.

  • Lie To Me - Sherlock Holmes-like cop drama. Cranky, abrasive Dr. Cal Lightman develops the theory of "micro-expressions" - tiny, quick, involuntary expressions that pass over people's faces that give away what they're thinking. Very loosely based on a real (but debunked) theory where Paul Ekman would analyze expressions from video, one frame at a time, whereas Lightman is able to read these expressions in real life as they happen with almost magical accuracy. The Lightman Group is a private business for hire that will detect people's lies and solve mysteries, sometimes even partnering with the police to solve crime.

  • Bones - odd couple crime drama. Forensic anthropologist Dr. Temperance Brennan teams up with FBI agent Booth to investigate crime, loosely based on the real life and novels of a forensic anthropologist named Kathy Reichs. Agent Booth brings human remains to a federal science lab where Dr. Brennan "Bones" studies them to help solve their deaths.

  • Numb3rs - odd couple crime drama. Two brothers, one a decorated and successful FBI agent and the other a brilliant math genius and professor, who don't get along with each other because they don't understand each other. Until one of Don's FBI cases needs Charlie's mathematical expertise and brings them together.

  • Full House

  • Family Matters

  • Perfect Strangers

  • Designing Women

  • Wonder Years

  • Golden Girls

  • MASH

  • Cheers

  • Married With Children

  • Firefly

  • Doogie Howser
Disney+
  • Agent Carter - historical cop drama. Agent Peggy Carter was a secret British agent who worked on the Captain America project in World War II. After Captain America went Missing In Action and the war ended, she moved to the United States to work with the super secret organization called the Strategic Scientific Reserve in New York City, where she tries to solve crimes while battling her coworkers' and superiors' disbelief that women are capable of doing anything other than serving coffee and filing paperwork.

  • The Mandalorian

Other Networks
  • Miss Fisher's Murder Mysteries
joreth: (being wise)
I've been watching Cobra Kai. I hesitated to watch it because, even though I was a Karate Kid fan, I a) didn't want them to screw it up and b) had some complicated feelings about making the villains into the protagonists.  As I keep saying in my Poly-ish Movie Reviews, I am character-driven. If I don't like the characters, I won't like the story no matter how well it's told, and if I do like the characters I will probably like the story no matter how terribly it's told.

Which makes unlikable protagonists very challenging for me. And Cobra Kai is about an unlikable protagonist.

One of Franklin's favorite books is about an unlikable protagonist. He holds it up as an example of how to write that kind of character well. I disagree. I hated that character from the beginning, I never felt sympathetic towards him, and I wasn't surprised at all at how bad he turned out to be (I may have not guessed the very specific details of the ending, but I wasn't surprised that he turned out as evil as he was).

Some unlikable characters are popular because we love to hate them. Bestor from Babylon 5 is one of these for me. He's written in a pretty nuanced, complex way, and yet I still hate him no matter how many little humanized tidbits the show throws at us to make him relatable. I think those humanized bits make him so deliciously evil that I really enjoy hating him. I want him to suffer and I enjoy every time he loses.

Then there is the "flip the script" or "mirror" method of telling a tale from the other perspective. Such as in Maleficent, where we are presented with an origin story or "reasons" why someone's actions may have been interpreted as evil depending on the perspective of the storyteller.

If you look at a war in progress, the "other side" is evil because they're the other side, but if you tell the story from that other side, then the first side is evil because THEY are the other side. Maleficent waging war on humans makes complete sense when those humans keep coming into fae lands to massacre all the fairies. But to the humans, she's an existential threat.

Johnny Lawrence is not Maleficent. There is even an episode where he tells someone else the story of Karate Kid but from his perspective, where Daniel LaRousso was the bully. And I can see how he reached that conclusion. But he's actually wrong. It's like how I can see how Republicans reach their conclusions, but they're factually wrong about them.

Johnny Lawrence is an asshole. He is the bad guy. No amount of "understanding his reasons" changes that. And yet, I care about what happens to him. A lot of the time I want him to suffer, but I want his suffering to teach him a lesson so that he'll stop being an asshole.

This isn't an origin story. But it kind of is. Now that Johnny is an adult, he is able to perpetuate the abuse that he suffered as a kid onto a whole new generation of kids. So we can see exactly how you can take someone who is kind and compassionate and considerate and slowly warp him into someone who is cruel. And how that can be done without even necessitating malicious intent.

Johnny Lawrence is, and always was, an asshole. But it's possible that he may have a redemption arc. What I'm liking about this show is that it's not a clear arc. It's also possible that he will never find redemption, depending on where they take his character. As long as his methods result in what he sees as success, he has no reason to see why he's a bad guy. Both possibilities is what makes this story interesting for me.

That's where the conflict really is - will Johnny redeem himself, or is this just a Walter White or Thanos situation? He succeeds and yet remains a bad guy with no redemptive arc? Some people will just straight up tell you in what way they are evil and completely believe they are in the right. Nazis, racists, misogynists, domestic abusers, etc. Johnny could be written by people like that, or by people who want to tell that kind of character's story. Or he could be written by people who want to believe that even those kinds of people can see the light. Which character is Johnny Lawrence? We'll find out.

I think the actor playing Johnny is pretty brave to bring back this character and tell his tale. At least, in the way that it's being told. If this had been basically like that one space movie where it's just a 2 hour ride justifying violence and violation because reasons, I wouldn't be saying this. I think this show (so far) stays on the right side of the line between *explaining* violence and *justifying* it.

After completing the first season, I don't like Johnny Lawrence. I'm not supposed to like him. And I dislike him enough that I'm not even rooting for him. He could change, and I would be glad to see that change, but I don't root for him to win the fights he gets into or hope that he comes out ahead in his interpersonal conflicts. I want him to get his ass kicked. I want the people in his life to leave him. I want him to fail. But if he somehow manages to learn from those failures and become a better person, I'd like to see that too. He is simultaneously an exercise in hope for growth and in schadenfreude. He's Schrodinger's anti-hero.

I don't like him and I'm not rooting for him. But I'm *invested* in seeing what happens to him.

And *that's* how you fucking write an unlikable character.

Everyone else is fairly boiler-plate, and yet also still well written and acted. Each of the characters has a predictable path or an archetypal role. But there are a *lot* of them. This isn't a black hat-white hat good vs. evil story where everyone is basically the same character (or no character) except for the one rogue they throw us as a bone.

There are several different archetypes in the show, each with their own arcs and developments, and each face enough nuanced conflicts that their arcs have several pivot points that could take them in one of several directions.

But this show is really about Johnny Lawrence, an unlikable character as the main character. This is more than just an anti-hero story. In all the anti-hero stories that are popular right now, they're anti-heroes but they're also somehow likable. They're bad guys but they're charming, or they're ethically grey but sympathetic, or something along those lines.

We've been "flipping the script" for a while now, telling anti-hero stories or telling a story from the villain's perspective. And in order to get the audience to be invested, ultimately we end up making those characters likable who just make poor decisions or who have something terrible happen to them.  While terrible things did happen to Johnny that molded him into the person we see now and who makes poor decisions, he is ultimately someone who is not likable. He is toxic masculinity personified.

They had a difficult job here, because the '80s movie was pretty standard with writing the antagonist as a clear-cut villain. Johnny was a bully and there was no real reason for his bullying other than he was an asshole. Yes, his sensei made him an asshole, but he was definitely an asshole with no depth underneath.

Now we want to tell his story? Not how he became an asshole, but to tell the story OF an asshole? How do you give depth to a character originally written as shallow? He has to really be an asshole, even with that depth. There has to be a reason why he seemed to take pleasure in beating the shit out of Daniel and why he treated Ali the way he treated her.

He is very much like a lot of my backstage coworkers, who are assholes and, honestly, unlikable, but I can get along with them fine because they're real people and real people are messy, complicated creatures.

Johnny Lawrence is an asshole. I don't like him. I'm not supposed to like him. I'm probably supposed to root for him? But the writers and the actor keep him as an asshole so maybe I'm not supposed to root for him. Either way, I'm not rooting for him.

But I am invested in him and his outcome.

I think this show is exploring a lot of complex themes and emotions and ethical dilemmas. In some ways, it's still a little heavy-handed, like the original source was. But by telling the story from the antagonist's perspective while still maintaining those same morals and themes, it complicates the story and gives it a lot more character and a lot more grey areas.

And I really liked the pinnacle season conflict in which it didn't matter how that conflict was resolved, Johnny Lawrence could not win either way. So how do you root for him when both outcomes would suck for him? You choose which moral lesson you want him to learn from the two possible losing options?

In anti-hero stories, we root for the protagonist to succeed at, what is actually an "evil plot" - we want Danny Ocean to rob the casino. In Bandits, we want Joe & Terry to succeed at robbing banks and to "get the girl" Kate. We want Dexter to continue to kill people, or at least not get caught for it. We want the bad guys to get away with what they're doing because they're the protagonists and we get attached to them.

But I don't want Johnny Lawrence to succeed. I'm not rooting for him. I don't like him. And I'm not supposed to. At least, not yet. So they gave us a conflict in which he can't win, even if he succeeds. He is still unlikable. Anti-heroes are likable. Or, at least, sympathetic.

I do not like stories with unlikable characters at the helm. I like to dislike certain unlikable characters as foils or villains. And I really strongly dislike stories that romanticize or justify unlikable characters ("but he was abused!", "but she wanted it!", "but he started it!"). I'm also totally over "privileged white man has some kind of challenge that actually a lot of people have but his challenge turned him into the asshole he is today, so let's spend yet another show explaining his story" kind of tales.

But, at least through season 1, I think Cobra Kai does an excellent job of creating a realistic, nuanced unlikable protagonist that is keeping me engaged and invested in the outcome. And I have to say that I'm impressed. I heard good things about the show, but I was still expecting to not like it, or at least find it meh. Instead, I actually think it's really good. I'll get back to you after a few seasons before I go so far as to say it's brilliant. But it could be.
joreth: (BDSM)
I'm reading 19 Weeks, a kinky erotica novel by Franklin Veaux, where a woman suspects her husband of cheating on her, so she tries to catch him in the act, and in the process, discovers that their affair turns her on. But she's still really angry about the cheating, so she finds herself confronting them when she catches them, and instead of automatically threatening him with divorce, she insists that they owe her 19 weeks of catering to her desires since they spent 19 weeks ignoring hers for their own.

The story is an emotional processing of people who make some bad choices whose consequences lead them to a surprisingly functional D/s/s relationship with the woman in charge of her husband and his "concubine", as she ends up being called.

The story is pretty hot, but I'm straight with a slight gay male fetish. So, while re-reading it today, it occurred to me that I could make a few tweaks to the story and get a tale that would appeal more to someone like me.

In my story, the woman suspects her husband of infidelity, and she hides out in the house, waiting to catch him in the act. But what she doesn't realize is that her husband's new lover is another man.

While watching them start to have sex from her hiding place with the camera she's using to collect evidence for the eventual divorce, she discovers that voyeurism of two men gets her really aroused, and through the course of the book, she's forced to confront some of her assumptions about gender roles and orientation now that she recognizes this fetish.

As she is processing her anger and her surprising arousal when she confronts the two men, instead of simply threatening her husband with divorce, she somehow ends up demanding that the two men basically become her sex slaves to make up for the fact that they started their affair with no concern to how their behaviour would affect her.

Never having any experience or exposure to the world of kink, this experiment of hers unlocks desires she didn't even know she had, and leads her to discover kinks and fetishes she never knew existed, as our diminutive protagonist doms the fuck out of two much larger men, who bow to her every wish.

Except ... one time, she makes a mistake and crosses a line. As newbies will while they learn themselves and everyone's limits. She crosses a line and, overwhelmed with all these new conflicting feelings of shame, resentment, guilt, and a surprising desire for being dominated, the men rebel at their captor and collaborate to take her down - in a scene that both frighten and arouse everyone with its intensity of pleasurable feelings.

As she discovers a new kink she not only didn't know she had but would have been horrified to think anyone could actually *like* engaging in only a few weeks before, she decides to include this new activity of the men ganging up on her into their new routine ... except it will be done at *her* pleasure from now on, as she discovers a new vocab phrase - topping from the bottom.

What will happen after the time limit is up and everyone has served their time? Will she release them and the men go off together, without her? Will she try to "save her marriage" and go back to the way things used to be once their debt is paid, leaving the Other Man discarded and alone? Or will the three of them find a balance point, now that they know that this kind of arrangement can even exist, let alone work out?

I'm sure anyone reading this can guess where I would take this story if I were writing it.

Unfortunately, I am a pretty good writer, but erotica is not my area of expertise. I would love to read this book, though.
joreth: (boxed in)
Me: I have this song that I've been totally obsessing over lately [plays song for someone]. 

Him: The dude in the song is kind of an asshole.

Wrong Answer: No he's not! You have to understand the culture he comes from! It's very machismo and he's expressing his strength and virility and the women find it attractive! That's the culture and time he comes from! That's how he's *supposed* to sound in order to find partners!

Correct Answer: Yeah, he really is. But the hook is just really working for me, so I've been listening to a lot it lately.





Me: I totally love this song! The juxtaposition between the lyrics and the mood of the melody is hilarious! [plays ridiculously bouncy song about "violent" sex]

Them: Uh, that song is triggering for people who have had violent experiences.

Wrong Answer: No it's not! You're just overly sensitive! It's totally meant ironically when sung today. And anyway, in the era in which it was written, it was considered a sign of one's passion to be stricken with strong feelings for someone! You just need to listen to it in the appropriate context!

Correct Answer: Yep, I can see that. I interpret it differently because of my long history with kink, so I will only play it for people who have a similar interpretation and background and who can appreciate irony and also dissonance in lyrics vs. melody.





Me: This is one of my favorite pornos [plays classic porn from the '70s].

Him: Wow, she has absolutely no concept of boundaries, does she?

Wrong Answer: That's not true! You just have to look at it this way! She's a woman, so it's totally OK to cross those kinds of lines! Especially in the era in which it was made! Men prefer that!

Correct Answer: Yeah, she does. The story line was written for a particular sort of interest, so a person can really only enjoy it if that kind of boundary pushing is your thing, or if you can enjoy things in fictional porn that you wouldn't necessarily want in real life. I like the freedom she has in this story, and that's what does it for me. But her behaviour would be totally unacceptable in real life.





Me: I listen to country music.

Them: I hate country! It's so misogynistic!

Wrong Answer: No it's not! It's respectful and chivalrous and men and women are just different so they behave differently! It's just a party song, don't get so worked up over it! It doesn't mean anything! He has a wife, so obviously he can't be *that* misogynistic!

Correct Answer: Yes, a lot of it is, and a lot of all kinds of music has misogynistic themes because the music is written from within a misogynistic culture. There are some songs that I can't listen to either, even though I'm able to like the sound of other songs while ignoring the lyrics.

Since you're aware of and bothered by misogyny, you might be interested to know that singling out country music specifically, or rap music specifically, as being misogynistic is a consequence of classism, and I can go into the why of that if you'd like to have that discussion.

If the sound of the genre doesn't bother you but you can't ignore the lyrics in order to like the sound of a song, I also have an entire library of music that is less misogynistic or not at all, if you're interested.



#ItIsNotThatHard #ActualConversationsIHave #ItIsOKToLikeProblematicMediaJustBeAwareAndHonestAboutTheProblems
joreth: (polyamory)
My 6 Simple Steps to answer the question "how do you find people to start dating?"
  1. Go to where the poly people are [or people who are whatever category of person you're interested in dating].
     
  2. Be as open about yourself as you can in as many contexts as you can - other polys [or whatever category] nearby will find you.
     
  3. Be open to meeting new people and trying new experiences, even if they don't meet some idealized image you have in your mind.
     
  4. Be interesting and do interesting things. People are attracted to interesting people.
     
  5. Treat everyone you meet as a unique individual. People find having their agency and humanity respected to be attractive.
     
  6. Be patient.
This came at the end as a summary of a longer post, but I was writing that post on my tiny iPod and I don't think it's really that good of a post. My thoughts were kind of scattered and I didn't elucidate each point well or organize them well. That's how I ended up with this numbered list - I was trying to clarify and simplify the rest of the post.

So I'd like to rewrite it out for a real blog post. But later, because I'm still doing Halloween shopping and it's my one day off this week. In the meantime, here's the tl;dr version.
joreth: (Default)
Them: Women are so hard to read.

Me: Actually, if you just get to know us individually, you can learn...

Them: Relationshipping is so complex!

Me: Well, I have a User Manual...

Them: I mean how does anyone even know the right thing to do?

Me: I teach a workshop in...

Them: There's just no good or simple solutions to relationships!

Me: Here's my bulleted list organized by category...

Them: I just don't know what to say or do right now.

Me: I TOLD you what to do a year ago when I first noticed this was becoming...

Them: So mysterious!

#IAmSeriouslyNotThatHardToFigureOut #IWillLiterallyGiveYouAllTheAnswersUpFront #NoReallyIComeWithCheatSheets #IJustDoNotKnowIsNeverTheRightResponseWithMe
joreth: (dance)
#ProTip - Don't ask a woman to dance more than twice in a row either.  And by "row", I mean 2 consecutive songs, OR 2 times dancing with you with neither of you dancing with anyone else in between.  2 is the limit, and even that should be reserved for those times when the first dance is at least halfway through the song so that it doesn't really "count" as a full dance.

So, like, you ask her to dance, then you sit down next to her and talk at her for the next 3 songs, then you ask her to dance again, then sit down next to her and talk at her some more, and then ask her to dance a third and a fourth time, and neither of you dances with anyone else in between.

Don't do that.

Don't monopolize someone's time at a social dance.   If you sit down next to her and start talking to her, other people are less likely to come and interrupt to ask her to dance with them.  So she may only be sitting with you and not dancing with others because you just cockblocked them, not because she's actually that into you.

Ask someone to dance once.  Thank them, walk them back to where you picked them up, and then leave them.  Make sure you dance with at least one other person next.  Keep an eye out to make sure either she has danced with someone else, or she has been standing there so long that she might be feeling ignored so you can offer her another dance because that's what she came there to do.

In non-dance settings (dance settings being ballrooms, Latin clubs, swing dances, etc., non-dances being things like bars, parties, clubs, and other social events), it may seem a little abrupt to limit yourself to just one dance and then bail on them.  The Argentine Tango scene has a 3-song minimum limit, so if you're out, like, at a bar or something, you could probably go as many as 3 consecutive songs, or perhaps 1 song followed by conversation followed by another song.

I usually give someone 3 songs just in case they're an Argentine Tango dancer and not just socially inept.  I started doing that when I first ran into a Tango dancer at a salsa club.  He properly did the "ask, leave, ask later" method a couple of times, and then we danced a partial song so he asked for a second consecutive song, and then mentioned being a Tango dancer who was used to 3 songs, so I acquiesced to the Tango etiquette and he very properly dropped me off after the 3rd song and left me alone for a while so we could both dance with others.

Once I recognized this as a thing, I have now had it happen to me several times, so I give everyone a 3-song limit, where I will try to leave after one song, but if they hold onto me for a second song, I will give them 3 songs to let go voluntarily, after which time I will abruptly just leave them on the floor.  So far I have met several Argentine Tango dancers this way and I've only had to interrupt one person who was going for a 4th song and who was not a Tango dancer. (I also did not dance with him again).

Those who have mastered the art of flirting know the trick to "leave them wanting more".  Give them a taste, and then back the fuck off for a bit.  Tell them you see someone you know that you want to say hi to, and you'll be back later, or something.  Then surreptitiously keep an eye out. Are they scanning the crowd for you?  Or are they keeping their head low, hoping you won't see them again?  Or are they scanning the crowd for someone else to rescue them?

Catch their eye again, smile, nod, and go back to what you're doing.  Do they reciprocate?  Or do they seem to have a 6th sense for avoiding your eye?

Partner dance events have ages-old etiquette customs that are actually pretty good guidelines, for the most part.  Especially because, as a geek myself, I know a lot of people who find social interactions to be kind of mysterious.  So here's a good guideline if you don't have an intuitive sense of how to entice someone with the taste / back off / reel them in style of flirting.

No more than 2 songs.  Whether that's actually dancing or chatting and using the songs as a timer. 2 consecutive songs, or 2 times in a row of dancing with them with no other partners for either of you in between (or, say, 2 songs worth of conversation with them, one-on-one, with no conversations with other people in between).

Go away for a little bit, see if you can catch their eye and do they seem excited to have you come back?  Then come back.  Rinse, repeat.

If not dancing, do this unless / until you get into a conversation with them where they seem focused and engaged, and there is good back-and-forth where you are both contributing, they keep their attention on you and the conversation, and seem excited to talk to you about whatever you're talking about.

Then you can talk to them as long as you both seem to want to talk to each other.  But I still recommend looking for natural pauses in the conversation and breaking off to "say goodbye to my friend over there" or grab a drink or even to dance with someone else, and then coming back to continue the conversation later.  That excitement that builds as one hopes for you to return really seems to affect a lot of people, so use it.

It will feel a little awkward, and maybe even a bit contrived at first, but practicing enough times at the "hello, now we engage, now I'm off again, now I'm back!" social interaction will make it easier with practice, and it will help you to avoid those awkward moments when you think someone is into you and they're desperately hoping that the ground will open up and swallow them whole just to escape without having to tell you that they don't want to talk to you anymore.

#TheArtOfFlirting #PartnerDancingLessonsAreOftenApplicableOutsideOfTheBallroom
joreth: (Default)
Tips from a life-long introvert & adult sufferer of periodic suicidal depression for those of you new to being stuck inside for long periods of time:
  • You may be washing your hands more often, but don't forget to shower too! Lots of people might think this is gross, but when you add the anxiety and the isolation on top of the novelty of not being required to dress up or interact with other humans, actually showering can start to slip down on the priority list.

    This is a big problem for people suffering from depression, and you might be new to the experience of depression. But being a shut-in might give you some new feelings, like lack of motivation and apathy. So make sure to shower.

  • Groom yourselves. Don't just shower and comb your hair, but actually TAKE CARE of your appearance. Every few days, get dolled up as if you had a date or a very important business function. I don't mean to get *dressed* up, although you could if you want to. I mean to be deliberate and conscious about your appearance and take extra steps.

    If you're a full-out kinda person, then break out the makeup kit and hair products. If you're a little lower maintenance, then moisturize your face, buff your nails, comb your hair with a mirror, etc.

    Shave or trim. I realize that not everyone shaves face or body hair, and some people don't even trim, but if this is something that you do when you're putting in extra care for a fancy or important event, then do it every couple of days now too.

    Pick out an outfit. It doesn't have to be fancy, it should just be something that you thought about and *picked out*, not just grabbed whatever was on top in your drawer.

    These kinds of deliberate choices are super important during a depression. They help combat feelings of apathy and helplessness and they help bolster your sense of identity. *What* you do isn't as important as the fact that you are making conscious and deliberate choices *to do it*.

    If you are normally a "fuck you, I don't care what I look like" / "fuck the patriarchy, I won't buy into all the bullshit rules for my appearance" / "down with consumerism and capitalism, I refuse to get sucked into appearances-matter-to-line-your-pockets!" sort of person, this is still important to do.

    It's not about meeting some arbitrary standard. It's about practicing making choices in who you are and expressing it through your appearance and in grooming and hygiene.

    So pick whatever standard you want, as long as it takes some effort on your part. Pick the highest standard among your various standards for various circumstances, or pick some standard that is totally not you at all just to see what it's like to get up that way for fun. The point is - break your daily routine and put some effort into yourself.

  • Time to get over your fears of the phone! Traditional phone calls or video conferencing or whatever allows you to interact with another person in real time without coming in contact with them. Y'all already know about text-based mediums, but now we are losing our in-person socialization so we need a temporary substitute for this. Start calling your loved ones when you would otherwise have spent time with them in person.

    Cook a meal and then Facetime with them while you both eat something. Make a cup of tea and Skype with someone. Put your bluetooth earbuds in while you work out in your living room and your workout buddy works out in theirs. Leave a video chat running on your computer while you clean the house. Run a Google Hangout with video for half a dozen of your friends on one device while running a Netflix Party with those same friends on your laptop.

  • Leave the house. For most of us, we are not under a strict quarantine, we are under self-isolation recommendations. That means don't congregate. You can still go for a solo bike ride. Take a walk around the block and combine it with a phone call to a loved one. You don't need to come in contact with people every time you leave the house, so leave the house for a little bit every day. Even if that means just going into your yard.

  • Start a new hobby or pick up an old hobby. Gardening right now is probably an excellent new hobby, as it can be done solo, it gets you outdoors, and you can do it while talking on the phone to people. Then, you'll need to shower and clean up afterwards. 2 for 1! Working out - same thing.

    Teach yourself how to knit from YouTube videos. Try your hand at jewelry-making. Start painting your spare room like you've been talking about for years. If you ever wanted to start writing your first novel or memoirs, now may be the perfect time to get started.

    If you are fortunate enough to be able to self-isolate with a loved one and neither of you are sick, you can pick up some hobbies that work best with other people, like dancing (even solo dancing can be easier to learn with someone else learning alongside of you). Again, YouTube can help, even though I usually recommend in-person lessons as superior to watching a video. But you can start taking those lessons in a few months when all this blows over. You can get a head start with YouTube.

    Sign up for The Great Courses. This is an online program that gives you access to all kinds of learning opportunities, including actual accredited classes. Learn something new!

  • Structure your day. Look, I get it. I sleep in late, I take about an hour to actually get out of bed once I'm awake, and I get sucked into the internet. This may seem like a luxurious benefit to the new self-isolation restrictions. But not having some kind of structure can lead to aimlessness, which leads to apathy. You don't need militaristic precision in your schedule, just pick some kind of structure.

    Set timers and only faff about online until the timer goes off and then start your hobby. Set a timer for meals so that you don't forget them and start eating at random times. Do your new workout routine first thing in the morning to get your day started. Cozy up with a cup of tea and your onsie and Facetime for a goodnight chat with a loved one separated by the travel bans, and set a timer so that you don't end up staying up all night and messing up your schedule the next day.

    Set aside time for goofing off or being impulsive or not having a plan. You don't need to do this, but a lot of my "spontaneous" friends chafe at the mere thought of having a schedule. But humans really do function better (both emotionally and as part of a cooperative society) when they have some kind of structure in their lives. So leave yourself some time for your spontaneous impulsivity while adhering to *some kind* of structure that still allows you to be productive and stave off depression and apathy. And those of you who have trouble with spontaneity could take this opportunity to learn more about it and stretch your creativity muscles.

  • Elsewhere, I suggested Netflix Party. I've been using this for years, and nobody seems to have ever heard of it, and then all of a sudden, major internet outlets are recommending it. This is a Chrome plugin that allows several people to watch the same Netflix video at the same time. Everyone needs to install the NP plugin and everyone needs to be able to login to Netflix wherever they are. And then everyone needs to have access to the same movie (this is relevant if you want to have a NP with people in other countries - not all videos are available streaming in all countries).

    Then one person starts the Party, selects whether they want solo control of the video or to share control with the other viewers, and invites people to the party by sharing the link that NP provides. Everyone else clicks on the link and you're all now watching the same video that's synced up to everyone else's screen. There is a chat sidebar if you want to chat, but I like to have a second device sitting next to my laptop running a video chat app so that I can see and hear the people I'm in the Party with. I wear earbuds with a microphone for the video chat device, and then headphones on top of them that are connected to the laptop. This gives me good sound quality on both devices and prevents audio feedback.

    I'm still trying out other programs to watch synchronized video through platforms other than Netflix.
I can't stress enough how important it is to stay physical - and I don't mean just moving around.  I mean to care for this bag of meat that we live in.  Exercise and grooming to the best of your ability is still important even though we're (hopefully) not going out and partying right now.  It's good for your physical health as well as your mental and emotional health.

So enjoy being able to work from home and cuddle with your furbabies and see your kids all day and wear comfortable clothing and not care about impossible cultural standards if this is a benefit to the current crisis for you.  Absolutely take advantage of it while you can.  Just be aware that these are the same things that contribute to other sorts of challenges like depression and chronic illness.  So while they're fun when they're novel, we still need to be doing the other things too. 

Keep moving, feeding, and cleaning your body, and keep (or start) caring about your appearance - again, not to meet externally imposed standards, but to keep in touch with the vessel that we are housed in and to keep the connection between the state of this vessel and the state of our mind strong and healthy.  It's like maintaining your car - you might not care if your car looks like shit because appearances don't matter to you, but peeling paint and exposed metal and dents in the frame impact the functioning of your vehicle and, if not maintained, will increase the speed of deterioration.

It's not about appearances, it's about *functioning*.  Appearances are also functional.  Grooming is important.  Being physically active (to the best of your ability) is important.  Keeping busy is important.  Socializing is important.  Learning is important.  You can get through this self-isolation period.  If my entire generation (GenX) could survive as latchkey kids, y'all can make it through the next few months.

joreth: (polyamory)
I regret every day being one of the pioneers who championed the concept of "prescriptive hierarchy" / "descriptive hierarchy" (or prescriptive / descriptive primary / secondary).  I helped to make this whole confusion about power vs. priority in the poly community and I wish I had never heard the phrase or ever uttered it once I did.

There is no such thing as "descriptive hierarchy". It doesn't matter if you decide before you get a "secondary" or afterwards, if you are disempowering your partners (or are disempowered) in your relationships, that's bad.

It doesn't fucking matter if you say "It is my plan and my goal to disempower my future partners" or if you say "well I didn't plan on it, but I currently disempower my existing partners" - HIERARCHY IS DISEMPOWERING AND BAD.

If nobody is being disempowered then it's not hierarchy.  Everyone has different priorities.  Everyone.  EVERYONE.  I am not in a hierarchy with my boss or my pets even though I have pre-negotiated obligations with them and I will meet those obligations even if a relationship has to come in "second" in order to do it.

Those obligations and responsibilities exist in monogamous relationships and in single people's lives too.  They are not hierarchy.  If I make an agreement to my boss that I will show up for all my scheduled shifts, and my partner has a bad day and "needs" me to stay home with them but I don't because I have an agreement to show up to work, that's not a hierarchy, that's being a responsible fucking adult who follows through on responsibilities. 

My boss has no power over my relationships with my romantic partners - they don't get a say in what those relationships look like, they get a say in what my time with them looks like.  My boss only has the power to determine what my relationship with my boss and with the company looks like, even though my boss is in an authoritative relationship with me. 

My boss is not in a hierarchical relationship over my romantic partners.

*I*, as an adult with "free will", negotiated a relationship with my boss that requires a commitment of my time in exchange for compensation, and then *I*, as an adult with "free will", negotiated a relationship with a romantic partner that accommodates the existence of an employment relationship with someone else.  The boss has no say over my romantic partner, and my romantic partner has no say over my boss.  Even though I have priorities for each one.

If I could go back in time, one of the things I'd like to do is go back 21 years and erase every single time I uttered the phrase "descriptive hierarchy" on every poly message board across the internet.  I would then explain to my younger self the difference between power and priority, so that my younger self could better write about it being OK to have relationships with differing priorities without adding to the modern confusion about hierarchy (which is exactly what I was *trying* to say but didn't have the power / priority language to distinguish and so used "prescriptive" / "descriptive" instead).
 
I was using "descriptive hierarchy" to refer to those relationships that just naturally, organically, develop different levels of *priority* with everyone's input and equal power to make those priorities, and "prescriptive hierarchy" for those relationships that disempower people by imposing an artificial structure.

I didn't know back then the problems with using the same word "hierarchy" to apply to two very different relationship constructs.  Because they superficially resembled each other, it was easy to use the same word to apply to both, but they're fundamentally, inherently, different concepts embedded at the very foundations of the relationship.

I had no idea "descriptive hierarchy" would be used 2 decades later to justify treating partners as things just because it's "descriptive" instead of "prescriptive" (i.e. our secondary totally wants to live on her own and never move in with us, so it's OK to treat her as disposable") or that it would become the new basis for a 30-year cyclic debate where one side talks about "power" and the other talks about "priority" and nobody can get past the semantics so we never address the problem.

The funny part is that I spent most of those early years arguing that "prescriptive" was, indeed, an actual word that I did not make up.  For the first decade, people insisted that "prescriptive" was not a real word and I had to explain, over and over again, that "prescriptive" comes from "prescribe", which means, literally, to WRITE BEFOREHAND (pre = before, scribe = write), therefore something was prescriptive if it was scripted out ahead of time, i.e. decided beforehand.  Now, suddenly, I have everyone arguing with me that hierarchy isn't wrong because there are two different kinds - descriptive and prescriptive, therefore I don't know what I'm talking about.

I HAD TO CONVINCE Y'ALL THAT PRESCRIPTIVE WAS EVEN A WORD AND Y'ALL WANT TO ARGUE WITH ME NOW ABOUT ITS USE

So the tl;dr is that I am one of the people (possibly *the* person - we couldn't really remember which of us first used this phrase) who originated the term "prescriptive / descriptive hierarchy" and I am saying that this was wrong.  There is no such thing.  "Descriptive hierarchy" was intended to describe healthy, ethical relationships of differing priorities, but that is not a hierarchy at all.  Hierarchy is a ranking system, which is inherently disempowering and therefore inherently unethical.  Hierarchy is always wrong.  If your relationship structure does not disempower, then it's not hierarchy, by definition.

Hierarchy is disempowering people. All alternate uses of the term are incorrect uses and therefore misdirections. As someone who fucking coined the fucking term in the polyamorous context.
joreth: (anger)
I had a partner once and we bought a house together.  We had an arrangement - she had a full time job and went to school part-time so into our joint checking account (for shared expenses) she put about 2/3 of our necessary money, an amount that was equivalent to the mortgage payment.

I had a part-time job and went to school full time, so I put in the amount equal to all the rest of the expenses, including the utilities, the groceries, etc.  I even applied for food stamps and used my EBT card for the household groceries.  I also managed the household - I paid the bills, I did the grocery shopping, I made sure repairs, maintenance, and cleaning got done.

We had another partner who lived with us but was not on the mortgage.  For reasons I don't want to go into, he did not have a job, so he was expected to do all the domestic duties - dishes, trash, vacuuming, etc.  Within a very short time (less than a year), we were broke and struggling to pay all the bills.  So I took a job that took me out of the house for 6 weeks, including 2 first-of-the-months when bills were due.  I gave her the checkbook, told her the bill schedule, and took off.

At the end of the 6 weeks, I came home to find the power, gas, and water had been shut off and nobody had done anything to get any of it turned back on.  They were both just kind of camping in the house.  So I asked what happened.

Somehow or another, she didn't pay the bills.  I don't remember now if she didn't pay them at all or if she didn't pay them enough or what.  This is when I found out that her usual bill management system was to simply write out a check for the same amount on the 15th of every month and send it in to all the credit card companies she owed money to (except for the ones she was merely transferring balances between, to whomever had the lowest interest rate, but still, that happened on the 15th).

I exasperatedly explained to her that this is not how utilities work.  She has to actually look at the bill, pay the amount they ask for, and do it by the due date.  All the extra money that I had made on that job, that I was hoping to cushion us for the next couple of months went to paying reconnect fees and we were back to being broke.

So I took the checkbook away from her.

She and I both put money into a joint account, out of which our household expenses were paid.  One month, shortly afterwards, I started receiving calls from several bill departments that my checks were bouncing.

After some investigating, I discovered that she had gone to the bank late one night to deposit her share of that month's money and looked at the balance.  It had more in there than the amount she just put in.  So, resentful now at having to pay a higher dollar amount than the rest of us (even though that was the agreement, and she had not even bothered to ask if we could renegotiate our arrangement), she took several hundred dollars back out to pay for her own mounting credit card bills.

When she told me that there was "too much" money in the account, I yelled at her that this is what the account looked like before all the bills were paid.  The mortgage was not the only bill that needed to be paid, so yes, several hundred more dollars than the mortgage payment was in the account to cover those other bills, and that came out of *my* pocket.  Now we had Insufficient Funds fees on top of the bills that were still due.  So I took away her ATM card too, and insisted that she just start writing checks directly to me that I would deposit in our account.

Recognizing that she was getting stressed over money, even though she *still* refused to set up a discussion with me to talk about renegotiating who ought to pay how much, I started telling her every month when I knocked on her bedroom door for the mortgage check that if she couldn't afford it, then she needed to say something, so that we could figure something else out.

Every month she always said "no, I'll get the money", and every month she did.  I found out later that she was borrowing from relatives and taking cash advances out on her many credit cards.  Until one day, she came to my room and told me that she wanted me to leave, that it was unfair that she had to pay more money than anyone else, and since she was the one paying the mortgage, then she ought to keep the house and I should get out.

So I had to explain to her, again, that it didn't work like that.  The bank loan we took out for the house had very specific rules for changing the names on the mortgage.  If she wanted me off the mortgage, she would have to buy the house from me, and she would also have to show that she made 3x the mortgage amount for the bank to accept her as the sole name and transfer the loan to her.  But, since my name was the one in the signature line of every mortgage check, as far as the bank was concerned, *I* was the one who had been paying all this time, so if they were going to approve anyone for a sole mortgage, it was going to be me.

She insisted that I just walk away from the house, that she put in all the money, therefore it was hers (again, completely ignoring all the money that I put into electricity, gas, water, trash, repairs, and managing our partner into doing his chores - which is a whole OTHER rant - or that I furnished the entire house with literally everything in it because I was the only one of the 3 of us who was not previously living with parents or couch-surfing) and I had no claim to the house whatsoever.

She then just refused to give me any more money, and she started sleeping away from home so that I couldn't find her and demand money (no cell phones back then), and she would sneak back in during the day when I was gone.

I am reminded of this story because I was talking with a friend of mine who is going through what is effectively a "separation", even though he refuses to call it that.  His wife lives somewhere up north and his retail job here in Florida is currently supporting both the house they own here and her apartment up there, as well as all her bills and shopping and whatever else she decides to use their joint card for.

She has a job, of sorts.  But it doesn't pay enough to cover her own rent, let alone everything else she spends money on.  He was telling me the other night about his wife doing essentially the same thing that my ex did - looking at the shared account, thinking there was "too much money" in there, taking out a bunch right before bills cleared resulting in bounced checks, and yelling at him that she doesn't need him or his money.

In group of 3 other women and one single man, all of us were telling him that if she thinks she "doesn't need him", then he ought to let her prove that and just get out.  I'm not sure why, but he thinks he needs to stay with her, and is actively trying to build up his retail business so that it can run without him and he can then move up north to be with his wife.

I am also reminded of this story because my friend is not the first person who has told me a nearly identical scenario to the one that I went through.  For some reason, people seem to think that other people would be willing to build something with them, and then when it's time to part ways, those other people will simply give up any claim or compensation to the thing they built together.

I put a lot into that house, and my ex seemed to think that I would be willing to just pack up and move without receiving any compensation for it.  She was livid when I found a house-flipper who was willing to pay us the same amount we paid for it just a few years prior, giving us each a few thousand dollars after the sale because of the equity we had put into the house.

I mean, there was no way the bank was going to put the mortgage in her name.  She *had* to buy me out of it.  Since she clearly didn't have half of a house mortgage, I found a way for us both to part with a small sum, and to do it quickly before the bank foreclosed, since by this time she had just outright refused to write me a check for 3 months, which is when the bank starts sending foreclosure notices.

But, somehow, *I'm* the bad guy here.

My friend has been paying for his wife to live a separate life for a couple of years now, and she expects him to just walk away.  Which, honestly, I kinda think he ought to do.  If she thinks she doesn't need his money, he should just stop paying for her shit.  But he isn't willing to cut his losses yet, and I'm surprised that his wife thinks he would be. #SunkCostFallacy

A couple of exes of mine went into business together, and then one of them brought on a third business partner who made all the wrong business decisions and ran the business into the ground, and then the one who brought in the third person expected the other one to just walk away from the business without buying his shares of the company from him.  Like, in what fucking capitalistic universe does anyone build a business with someone and then just *hand over* their half of the company without compensation when the people involved want to part ways?

So, as I was talking with that friend with the wife, I and the other guy in the group got off on our own conversation (as side-conversations are wont to happen when larger circles break down into twosome and threesome conversations), and somehow or another I mentioned having a pre-nup with Franklin.

The guy said "good! Oh, wait, sorry..." because, as a guy, he's kind of expected to be in favor of things like pre-nups and he's also learned to expect that the women around him will not respond favorably to his response.  He quickly backtracked to fix the implication that he might be suggesting that my relationship with Franklin was not trustworthy enough and *needed* a pre-nup.

So I waved away his apology and said "no, get a pre-nup, get a pre-nup, get a pre-nup, absolutely put all this shit down on paper."  And then I explained to him what a post-nup was, because he had never heard of one.

A post-nup (that's not what they're called, but if you Google search them, it'll still come up with the right thing) is basically a pre-nup but with all the verb tenses changed to indicate that the marriage has already taken place.  It's otherwise the exact same document.  Just like a will, the most recent post-nup supersedes all previous post-nups and any pre-nups.  And, also like a will, it's basically a legal document that says who legally owns what, and how y'all will split your shared property when you separate.

GET A FUCKING PRE-NUP and if you are already married, it's not too late, GET A FUCKING POST-NUP.

And then, if you go into business WITH ANYONE, but especially your romantic partners, write down somewhere a plan for how to separate the business in the event that the relationship ends before the business does.  Write all this shit out while you still like each other, so that when you write it down, it will be at its most fair.

I've made at least one post like this before (and it will probably show up sooner or later in my official page's From The Archives posts). But I'm saying it again.

GET A FUCKING PRE-NUP

Here I'm using that term "pre-nup" as a catchall phrase for any legal document, or hell, ANY document at all, detailing how property will be divided or handled in the event of a romantic or platonic relationship ending, necessitating a division of property and assets.

GET A FUCKING PRE-NUP

If you're already married, get a post-nup.  If you're not married but you live together or otherwise have shared property (like a joint checking account or both names on a vehicle registration), use a pre-nup as a template and change the "marriage" language to suit your situation.

If you're not in a romantic relationship with someone but you are in a platonic relationship with someone and you have shared property or joint business ventures, unless your specific case already has existing contracts to cover it (such as the co-author agreement I have with my co-author to determine intellectual property ownership), use a pre-nup as a template and write your own damn document discussing how to divide up your business or shared property in the event you either don't want to be friends anymore, or you want to stay friends but don't want to be in business together anymore.

Some business plans will have rules about this already, like non-profit orgs that dictate how board members are voted in and how they leave and stuff.

WRITE OUT YOUR EXIT PLAN.  That's basically what a pre-nup and a will really are - an exit plan for property.  If one of you wants to leave, this is how you will split up under these conditions, and that is how you will split up under these other conditions.  Write this shit down.  If one of you dies and your beneficiaries come knocking on the other one's door, this will tell them what property is shared and can be handed over to them and what can't.  If one of you gets divorced and the ex-spouse starts taking half of all your shit, this will tell the courts what the ex is allowed to take because of what belongs to whom.

If you collaborate on projects together, if you take pictures of each other or give pictures to each other (intellectual property), if you share space, if you share toys, if you exchange money, write out something that clearly spells out your intentions for compensation when you split.

And, I mean, spell it out.  Write down that money spent on "dates" are to be considered "gifts" and no compensation is expected, because that shit will bite you in the ass later.  Obviously, not everyone is going to be that petty.  But the problem is that you won't know which one of your partners will be that petty until they are.  And then it's too late.  Like the ex who sent the man who killed my cats into my room to retrieve his spare hairdryer (purchased explicitly for leaving at my house) and was surprised at how pissed I got about that.

If the both of you think it's ridiculous to be writing down stuff like "when either party purchases a sex toy for the other party, that toy falls under the category of 'gifts' and no compensation is required, nor are there any expectations of exclusivity of said toy or reciprocal behaviour or gifts", then great, have a giggle while you make up your document together.

It can be a silly, fun date night, thinking up all the absurd things that other people do to each other that you both know neither of you will ever do to the other.  Congratulate yourselves on how emotionally intelligent you both are, that you will never need to reference this document because you would never even try to do the things that this document is intending to prevent you from doing to each other.

And then make the documents anyway.

Because that one time you guess wrong, you will need that document.  Even if it's not technically legally binding, write it up, sign it, and have someone witness it.  For accountability.

GET A FUCKING PRE-NUP
joreth: (being wise)
I know that Black Lives Matter is getting the most press among the ethnic groups fighting for equal rights these days, and that the history of oppression of black people is horrific and different from the oppression of other POC in the US...

but there are other groups of people who experience racism in the US, including violence, internment, discrimination, microaggressions, and even internalized racism when people use the same tactics against each other as are used against them.

This is not an either/or issue.  This is a yes-and issue.  As each international incident flies past the headlines, the groups associated with that incident see a spike in both violent and casual racism, and our current US administration only encourages it each time.  But then when another "incident" happens, that group's oppression gets forgotten as we focus on the next group du jour, while the blatant and subtle and internalized tactics of bigotry continue unchecked because we're not looking at that group anymore.

Intersectionality is complex and difficult.  In our race to be The Most Woke Progressive, when defending one group, we can't afford to ignore how our defense affects the other groups.  While each group has its own unique background and sometimes differing needs, that doesn't give us the right to ignore the toes of one group while standing up for another.
joreth: (feminism)
By now everyone should know that I believe the book Why Does He Do That? by Lundy Bancroft should be required reading in middle school and that absolutely everyone must go out and get that book and read it if you haven't already (and I can help you get that book if you need help - it's that important to me that everyone reads it).

However, that book focuses on male-on-female cisgender hetero abuse.  Which, to be fair, is a significant enough problem to focus on.  In a patriarchal society, men have power in a multitude of ways that encourage and support their abuse of women partners.  However, patriarchy can backfire on itself in a variety of ways too, including erasing women-on-men abuse due to the faulty premise that women *can't* abuse men because men hold all the power.  Which simply isn't true.

Men and women both abuse their partners using mostly the same tools.  But men are *protected* from the consequences of their abuse because the patriarchy empowers them, and women are *emboldened* from their abuse of men because the patriarchy renders their strength and power invisible and punishes men for being "weaker" than women (which, by the faulty patriarchal logic, would include any man who found himself abused by a woman as "weaker", by definition).

So, women don't have the systemic structural support to their abuse, but their abuse does tend to go unrecognized and insufficiently punished because the system doesn't acknowledge their power.  And men victims don't have much in the way of structural support for the same reason, whereas women victims have tons of support (with varying degrees of effectiveness, given the nature of the society).

Which means that there ought to also be resources out there addressing the specific issues that men face at the hands of abusive women (or, rather, there ought to be resources addressing men abusers, women abusers, men victims, and women victims, because each category has its own unique qualities).  Unfortunately, I do not know what those resources are.  Does anyone know of a seminal book on women-on-men abuse the way that Why Does He Do That is, in my opinion, the seminal book on men-on-women abuse?  I would really like to read it and add it to my library and my recommendation list.

Emotional Blackmail is another great book, I'm told, although I haven't read that one either. But I would recommend it second-hand on the word of some trustworthy sources who have read it.
joreth: (boxed in)
https://theautisticalien.wordpress.com/2018/05/17/autistic-life-hacks/

I am not autistic, but I do have OCD as a side effect? of my anorexia, and I also never defeated my depression from my last depressive episode (like my first one that went totally away for decades until my life fell apart a few years ago and I had another episode that I combatted and am mostly OK from but still actively battling and sometimes lose ground with).

So I have a lot of executive dysfunction these days. I do most of the things in here. Switching to all disposable utensils has made such a huge benefit in my life. So has the dry shampoo and the tooth pick thingies instead of floss. Backup keys everywhere. Obsessive about places for things. 2 laundry baskets OTG when I started that! Giving in to pre-packaged food (sometimes the only time I'll get any veggies at all). Music and ear buds. Notes on my hands. To-do lists to prioritize. PACKING LISTS! ...
joreth: (boxed in)
I am a science enthusiast.  I have also experienced a lot of things in my life.  Both facts about me are true because I am a curious person.  I like to learn.  I like to know.

But when it comes to breakups for romantic relationships in particular, I have learned that curiosity is not the most practical or helpful of my personality traits in building emotional resiliency and healing after the breakup.

One very huge lie that our society has taught us about breakups and endings is that we need "closure".  Not only do we not need it, it is not always possible to get, so we have to learn how to live with uncertainty anyway.  That needs to be our "closure".  We need "acceptance", not "closure".

I didn't get this for a very long time.  And, ironically, it was my late-blooming interest in science that taught me that not having the answers is an OK state to be in.  It's OK to not know something.  It's OK to live with the knowledge that I will probably never know something.

Our collective need to Know All The Things is what drives scientific innovation and exploration.  But it drives us "crazy" - it leads to a culture that accepts, encourages, and supports things like stalking, like harassment, like dismissing agency, like questioning our own self-worth, like doubting our own value, like creating and building entire mythologies out of thin air because we can't just fucking deal with "I have no idea why the world is the way that it is".

We, as a species, seem to need definitive answers, even if they're completely made up.  We seem to feel better with some kind of resolution.  So we either make shit up (some of which can be actively harmful to ourselves or others), or we drive ourselves "crazy" trying to find some kind of answer that we'll never get.

We may never understand why someone would do the things that they did.  We may never understand why the world is the way that it is.  If you want to make a career out of studying big questions starting with "why", then great!  We can always use curious scientists and philosophers with a commitment to rigor and reality-based truth-seeking methods!

But if you are just sitting at home being miserable because you don't know a "why", learn to accept that you may never know why and that it's OK to not ever know why.  Especially if attempting to answer "why" is a violation of someone else's privacy or agency (even if they were a jerk to you and you think they deserve "justice" or "payback" or whatever, or that you "deserve" answers or control over the ending).

Just let it go.  You may not ever know.  And the world will not end because you don't know, nor will you actually die from not knowing "why".

But you will continue to feel miserable as long as you keep insisting on asking yourself the question when no answer is forthcoming.  Like any really useful life-skill, it may seem difficult at first, but it will get easier with practice and your life will become immeasurably better for the practice, no matter how far along you are at mastering the skill.

Just let it go.
joreth: (strong)
I have some somewhat younger, but still not "kids"-younger, coworkers at my retail store.  One of them is even an assistant manager, so she's above me in the hierarchy.

Often, some kind of subject comes up, in which I can say something like "oh, I've done that", or "I know how to do that", or "I used to have a job doing that", or whatever.  My coworkers, the manager in particular, boggle at how many different kinds of things I've done in my life.  She frequently asks me "is there *anything* you *haven't* done?!"  She says so with obvious envy and has expressed a desire to have accomplished more in her life so far.

So I tell her, which is what I want to tell everyone, that if there is something you always wanted to do (and you have no near-impossible barrier such as medical condition or lack of funds), just go out and do it.

The reason why I have "done it all" is because, every time I need another job, I take a job in an industry I've never tried before.  I've been officially working since I was 12 years old (like, taking-out-taxes kind of job), and unofficially working since I was physically strong enough to push a lawn-mower (but still too short to see over it - I had to hold my hands above my head and peer through the handle).

Then, when I say that an activity sounds like fun, I either do it, or I admit out loud that I'd like to but I'm not willing to make it a priority.

Do you know how many people tell me how exciting learning how to dance sounds, and how they'd love to get all dressed up and go out more often?  Do you know how many of them actually do it when I present them with opportunities literally daily to fit into their schedule and I offer free dance lessons and to go shopping with them to help them find appropriate shoes and attire?

I'll tell you, the numbers aren't even overlapping Venn Diagrams.  I've had one, count them ONE, partner who did not know how to dance, expressed an interest, and actually committed to learning, not just attended *a class* with me once and then gave up because of "time conflicts".

Unfortunately, we were not together long enough after that for him to become really proficient and I no longer speak to him so I don't know if he kept it up after the breakup.  So, even counting him as a partner who "stuck with it" is being generous.  And if I can't even get partners to learn to do a thing they express an interest in, that should tell you my success rate at getting anyone else to learn to do a thing.

(Also, I've only ever dated one person who was a dancer before meeting me, and we only danced 3 times in the 2 years we were together.  Franklin has learned how to dance since we started dating, but it wasn't because of me.  He resisted learning when I tried to teach him, so I gave up because I don't like to feel like I'm pressuring people and it took another decade and him moving across the country away from me to finally discover an interest in dance.)

So, here are my coworkers, with eyes wide and mouths open, awestruck at all the things I've done.  And I don't feel particularly accomplished - I've never traveled outside of the country, for instance (although that will finally change this summer), and for all the jobs I've held and skills I've acquired, I'm still poor as fuck.

But I decided as a child that I needed to learn things.  So I did.  And I decided as a young adult that I needed to face the things I was afraid of, so I do.   I take jobs that I have no experience in because they sound fun.  I created a social group to try new restaurants that we've never been to, just because.  I know far too many people who are afraid of food.

When someone says "I do a thing" and I think "that sounds like fun!", I make a point to try and do that thing with them (assuming they're the kind of passionate fan who likes to share their passions with friends).  Because of this, I have SO MANY interests and hobbies and things to do!  I can't even remember the last time I felt bored outside of being forced to be in a particular location where I couldn't access any of my interests (like at work with no internet).  I have vague memories of being a teen and older child who had long stretches of boredom.  I can't remember what that's like.

These days, my boredom is more about frustration that there are so many things to do but I can't get to them.

I recently pointed out some really long RV that I liked, and someone else said "wow, I can't drive something that big!".  And because of my reaction, I had to reflect on this a bit.  When he said "I can't drive that", everything in me just kind of froze, like he had started speaking a different language.  I couldn't process what he just said. What do you mean you can't drive it? You can drive a car. This is just a big car.

But before I said something out loud, I wondered at my inability to process what he said.  I realized that I drove a 40-foot school bus when I was in my twenties because it never occurred to me that I couldn't drive one.  I can drive a car. In fact, I can drive a manual transmission vehicle and most RVs are automatic transmission.  So the idea that I couldn't drive something simply because it's longer than my current vehicle ... does not compute.

So that's what I said to him - you can drive a car.  You can drive a van.  You can drive a vehicle up to 20 feet, so you can therefore also drive a vehicle up to 30 feet (the size of the RV I was commenting on), you just need to practice and learn it's longer size.

He was quite dubious.  And I realized how fortunate I am that it just doesn't occur to me that I can't do things unless I've actually tried it, or similar, and discovered that I can't do it.  I extrapolate - I can do this other thing, so of course I should be able to learn how to do this other thing that is like it, if I want to put in the effort to learn it.

I think a lot of people start out with the assumption that they can't do a thing, and that's what stops them.  I start out with the assumption that I *can* do a thing, so I need a good reason to be stopped from doing the thing.  Not being interested in trying it is one good reason.  Not having the money to do it is another.  Having a full plate of other awesome things is yet another.  But being afraid?  Assuming that I can't just because I never have?  Not good reasons.

So, there are occasionally times when I think "that sounds like fun!" but I don't make a point to try it.  But then, if I've expressed an interest in the thing out loud, I will immediately follow it up with something along the lines of "but I have so many other things I'm interested in, that I don't want to take the time to add another one, because I want to accomplish the tasks I have waiting for me from my other interests first."

Mostly, what I get from people is:

"I'd love to learn how to dance!"

"That's great! I'm happy to give some lessons, or here are a list of studios and events with cheap or free lessons."

"Oh, well, see, I don't have a lot of time, because I work 40 hours a week, and then there's that whole eating dinner thing at night, and the new episode of Game of Thrones is coming out!  So, sure, I'll go to a lesson.  Sometime.  Just let me know!"

"Well, how about a lesson right now?"

"Oh, uh, I dunno, I don't think I can right now, uh, hey, is someone calling my name?"

My point is that it's OK if you're not interested in a thing, or if you have other priorities.  Own that.  But if you are interested in things, and you feel any kind of envy over people who do interesting things, then you have to make a priority to go do interesting things.

Most of the time, people who seem interesting and exciting and who do lots of neat things don't have those neat things just fall into their laps. We make it a priority to go do those things.  If you want to be like those people, even just a little bit, you have to do what we do - go out and do things.  You have to challenge yourself, you have to do what frightens you, you have to just jump in and do it.

Nobody was good at any of the things we do the first time.  True, some of us had a little more natural talent than others, which made learning it less arduous.  But that's OK, I'm not talking about being *good* at things, I'm talking about *having experiences*.  We weren't good at things right away, and we were often nervous or frightened too.

And I'm still terrible at a lot of the things I do.  I'm like the worst bowler, for instance, but I still go bowling whenever I meet someone who likes it and is willing to prioritize going out and doing it.  Because it's not about being good at things, it's about having experiences.  I find a lot of things "fun" that I'm not particularly good at, so I make a point to find the "fun" part to be the important part, not the "good at" part.

But, the thing is, once you do a new thing, the next new thing is easier to do.  And the next new thing after that is even easier to do.

I learned how to rock climb on actual mountains in the Santa Cruz mountains when I was in high school.  I met a guy who I liked who was a rock climber with all his own gear.  So he took me to a good beginner rock that had rappel points installed at the top.  We walked up the backside of the rock, which had a nice but steep hiking trail.  He hooked me up into my harness, explained things to me, got me all safetyed in and attached to the point, and then said "go".

I stood on the edge of that rock and looked down.  It was terrifying. It was a sharp cliff edge and a straight rock face so that all I saw was the edge of rock and the ground many, many feet below me.

He said "no, you face backwards, stand with your heels hanging over the edge, hold onto your rope, and just lean back until you are horizontal to the ground.  Then you just ... jump."

It was the scariest thing I had ever done up to that point.  What do you mean, you just lean backwards over the edge of a cliff?!?  Are you fucking out of your mind?!  And then you jump?!!!?

"Yes, you jump straight 'up', which is actually sideways because you're horizontal.  You push off the side of the rock and away from it, letting some of the rope out as you go so that you kind of arc down.  You will swing back towards the rock, so then when your feet touch, you bend your knees to cushion the impact and prepare for the next jump, like your legs are spring coils.  Then you push off again, letting out more rope as you go so that you arc down a little further."

It took me a long time to trust my rope.  But I did.  I stood on the edge of that cliff, and I leaned backwards until I was horizontal to the ground, like a trick photography shot where someone is standing on the side of a building as if the side was the floor.  That leaning backwards part was the hardest part.  Once I was actually horizontal, the jumping part was much easier.

And then I learned the joy of flying.

My first rappel bounce was the most exhilarating experience I had ever had.  It was like a giant swing for grown-ups, in the most beautiful setting in the world.  I zoomed down that mountainside, learning my limits, feeling how much rope I should let out and how fast to achieve the perfect-to-me arc that gave me just the right amount of soaring and falling.

I felt like this was what I was meant to do.

This is my analogy for trying new things, not a story meant to convince you that all trying of new things results in fabulous, exciting, wonderful experiences.

It's scary to try new things.  It's like that first step of leaning backwards over a cliff - you don't know what's going to happen, you've never done this before so you have no reason to trust that your safety rope will hold you, and you don't know if you'll like it or if you'll fall to your death on the rocky ground below.

But after I touched down from my first rappel, I ran back up the backside of the mountain to do it again.  I hooked up to the point, I leaned over backwards, but this time, I knew that my rope would hold me.  It was still terrifying, but like a roller coaster that I knew I would survive.  So I leaned backwards much more comfortably and I much more quickly took my first jump out into the open space.

Once I tried a new thing and learned that I didn't die from it, the next time I tried a new thing was less terrifying.  Still frightening, but manageable.  I could deal with the nerves by telling myself that I had already done this and lived to tell the tale, and what a tale it was!  So worth it!  Maybe this time will be worth it too.

The more times I tried something new and didn't die from it, the easier it became to try new things after that, even though, by definition, they were things I had never tried so I couldn't know if I would like the experience or not.

There is still risk.  People still die from rock climbing and rappelling accidents, for instance.  I even met the guy who wrote a book, and then had a movie made about it, who had to cut off his own hand to escape being trapped by a boulder during a foolish solo hike and rock climbing trip.  This doesn't mean that either rock climbing or trying new things is always safe just because the last time I tried it, I didn't die.

But it means that being afraid is not a good enough reason to not try something that I otherwise want to do.

And there are some things that I think sound exciting but that I definitely do not want to try.  Sky diving, for instance - not my thing.  But I know lots of people who like it and I know I probably won't die from it.  But I'm not going to do it.  I own that.  I don't tell people that I want to try it, and then never commit to prioritizing it.

I also work in a craft store and I'm surrounded by all kinds of fun-looking projects that I will never get around to trying.  Again, I have lots of interests that I'm passionate about, so I am making a deliberate choice not to prioritize yet another new craft because I want to spend my time on the ones I have already started and love.  I own that too.

But if something sounds fun, and I have no medical or health reason or financial barrier to prevent me, and someone is standing right there offering me the benefit of their expertise, experience, and guidance into that world, I will take it.

And that's why I have coworkers in their mid-twenties who are shocked and amazed at all the things I have experienced in my life, who have said that they've only had this one job and no hobbies and feel like they have not accomplished anything in their own lives - I made a commitment *to myself* to have experiences, and they have not.  I made it a priority to try interesting things, so I have become an interesting person.  They have not made it a priority to try interesting things, so they feel that they are not interesting people.

This is a problem with a solution.

If it sounds interesting to you, try it.  No excuses (reasons, like health or money, sure, but no *excuses*).  Commit to leaning over that cliff.  Prioritize putting your heels out over the edge, holding onto that rope, and just pushing off.  It will get easier each successive time you try it, I promise.  Maybe only incrementally, but trying new things does get easier the more new things you try.
joreth: (strong)
Image result for terminator logoAs far as I'm concerned, the Terminator franchise is a trilogy, with T1, T2, and this latest one, T6, finishing it up. If you haven't yet, don't bother seeing any of the others.

Even if you're one of those who needs to "finish a story" or "hear the whole thing", don't bother. It keeps getting retconned and rebooted, so you're really not losing any of the story by not seeing the others.

I would also recommend the TV show the Sarah Connor Chronicles, but I don't think it's necessary either, because this latest film is also a soft reboot that makes that show ... I'm going to say "a different timeline", because the whole franchise is about time travel, so I can rationalize away any incongruities that way.

So, yeah, in my personal headcannon, the story is a trilogy right now with T1, T2, and T6. And I say this as someone who is fine with all 3 sets of trilogies being part of the Star Wars canon, so that ought to tell you something about how little I care about T3-5.

So here's what I think about the Terminator trilogy...

#Irony: The original Terminator movie is about Sarah Connor - a woman who eventually gives birth to the leader of the resistance who is supposed to save the world. It has male action characters, but it's ultimately about Sarah and her relationship with Kyle Reese. It's basically a romance story set in a pre-apocalyptic action film.

The second Terminator movie is about Sarah Connor again, now a fucking badass guerrilla warfare soldier. And, again, it has some male action characters, but it's still about Sarah and her psychological journey from "normal girl" to Mother Of The Saviour And Terrorist. She does her own ass-kicking in this film, keeping up with literally super-human characters in the protection of her son, John.

The rest of the films I won't mention because they're terrible and not the point. The original two films, that set the story and the standard for the Terminator franchise, are a WOMAN'S TALE.

Here's the irony ... people are pissed off because of the strong woman-heavy cast of the latest Terminator film, and accusing it (as they always do of anything that doesn't subjugate minorities in the plot or in the telling of the story) of "pandering" to the new "identity politics" of the feminist cult and younger generations.

It's like people complaining about sci-fi, or Star Trek in particular, getting political. Like, have you ever SEEN the original shit before? That's what IT IS.

Terminator is a chick flick. That's why it's so good. It's a woman's story. It's just that the woman in question, and her story, doesn't involve flowers or wedding dresses. I mean, for fuck's sake, it even includes her getting pregnant and raising a child as an integral part of the plot!

Women have a lot of different stories to tell. Some of them are action stories. Some of them involve fights and fast cars and war and blood and death. When you tell a woman's story, not just what men *think* about women, but her actual story, you get diversity; you get adversity; you get pain; you get pleasure; you get redemption; you get vindication, you get action; you get adventure; you get hardship; you get conflict.

Whether her story takes place in the home or on the battlefield, those are still what you get when you tell women's stories.

Telling these stories isn't "pandering" any more than literally telling *any* story for a commercial enterprise is "pandering" because the producers want to make money from the sale of that story. It's not "identity politics". People want to make money, and they don't make money if they refuse to sell to literally half the population of the planet.

Women have stories to tell.

And in the case of many of these amazing stories finally being told, it's often the same story that they have *been* telling. You just weren't paying attention.

I wrote all of that before seeing the latest film. This was completely my reaction to seeing online criticisms from whiny boys about "too many women" in the new movie. I hadn't seen the movie and I didn't read any reviews, I just saw some complaints about "pandering" and "identity politics" and all the usual bullshit that comes every time women play any kind of role in an action film that isn't the sexy villain, the refrigerator'd girlfriend, or the current love interest.

Now that I've seen the latest Terminator, and realizing that I like it and reflecting on why I like it and the first two but not the rest, I think my claim of this being a woman's story is consistent.

I think one of the main reasons I didn't like the rest of the films (and there are several reasons not to like them) is because they stop being a woman's story, not just because they were poorly told or executed.

The rest of the movies, if I recall correctly because it's been a long time since I've seen them and I only saw them once because they were terrible, unlike the first two - the rest of the movies stop being about Sarah Connor, and start being about man vs. machine, using the term "man" in this context as deliberately gendered and not a shortened form or stand-in term for "humanity".

Linda Hamilton wasn't even in all of the other sequels. Those movies were not about her journey. They became about John Connor, or about Arnold, or about continuing to bleed a franchise. But since the story ultimately is about Sarah, taking her out of the story led to the storytellers losing focus.

Hence reboots and direction changes. They lost sight of what made the story interesting in the first place. I mean, sure, the special effects of both were groundbreaking, so from a technical point of view, T1 & 2 were interesting on production quality alone. But even if we can appreciate a pretty movie, if the story isn't at least as good as the effects, it won't become a classic, iconic, a genre-setting game-changing film (I'm looking at you, Avatar, where even Sigourney Weaver couldn't save that movie).

T1 & 2 were that kind of film because the story telling gave the special effects a purpose. The effects were a *vehicle* to tell the story, not the other way around. T6 brought us back to the story, back to the premise, back to its roots, even with the use of a soft reboot plot device, which, incidentally, basically implies agreement with my assessment that the other 3 movies pretty much don't count.

What makes the Terminator movies interesting is the woman's story. Once you remove that, no amount of action or special effects save the film. Because women's stories are still just people's stories, it *could have been* possible to move on from Sarah and start telling the story of another person in the saga, even if the next person's story was a man. It *could* have been done.

But the next 3 producers / writers / directors didn't treat it as someone's story, they treated it as men's eye candy, and, apparently (by implication), men don't care about the story, they only care about the action.

I mean, I suppose that explains why porn written for het cis men (and a lot of gay cis men) is all "fuck the plot, it doesn't matter why these two people are screwing, as long as we get to the screwing!" People just assume that men don't care about the story, only the action.

But I would propose that the success of the films and TV shows that are successful and/or popular in the last several years suggests that men *do* care about the story too, they'll just take pointless explosions if that's what's available. And if you can marry a good story with a well-produced film in a genre that is favored by men as a group (whether you personally *liked* the story or not), that movie will do very well at the box office, or at least it will do well in popularity over time.

The trick, apparently, is to get enough men to relate to a good story that happens to feature a woman (or several). But that doesn't seem to be a problem with storytelling, that seems to be a problem with the collective male bias and expectations.

Anyway, it's late and I'm rambling. Point is, now that I've seen the latest Terminator in the franchise, realized that I like it, and thought a little about *why* I like it, I think that the reason why I dislike the previous 3 movies is because they stopped being a woman's story.

As I keep pointing out in my Poly-ish Movie Reviews, and to people who keep trying to recommend movies and books to me, I am very character driven. I need to either identify with a character or want to know a character - like, date them or have them in my social circle - in order to enjoy a film or book. If a writer can get me to connect to a character, the story doesn't even have to be all that well-written or produced for me to like it.

When Terminator stopped being a woman's story, it stopped being a people's story. It became fluff. It was all action with no real purpose. I suppose there might have been some themes in some of the sequels somewhere, but really, the story ended with Sarah leaving the focus. Without a focus or a purpose, the story just kept getting lost. And the movies sucked.

So when the saga became once again a woman's story, I enjoyed it, and I think it was a fitting chapter in the longer tale.

And if there's anything I can ever say good about reboots, it's that it gives me the opportunity to pretend that the chapters the reboot scratches over don't exist. I mean, that's also why reboots suck - they overwrite previous chapters, and if you like those previous chapters, then that's a bad thing.

But now I can safely reconcile "Terminator is a trilogy made of T1, T2, and T6 and let's pretend the other 3 don't even exist" in my head, because even the franchise seems to be saying "yep, those other 3 don't exist, here watch this reboot that erases them!"

Those are the 3 that are telling a woman's story and that story is what makes Terminator interesting. The others lose sight of this, and consequently are just not as interesting to those of us who are story-dependent.

Women have stories to tell. And our stories are interesting.

I originally wrote all of this in 3 Facebook posts. In the comments of one of them, somebody asked me how I felt about "the big reveal".

Spoiler alert!!!



Here's the long answer to that question )



My bottom line is that even the reveal, with all its legitimate criticisms, is still part of Sarah's story, which makes it fit into the woman's story trilogy that makes these 3 chapters in the saga such excellent films and the other 3 chapters suck because they are not Sarah's story, not a woman's tale.

T6 is Terminator's redemption film. We are back to telling Sarah's story, and that's why it works. Women have stories to tell. And when you allow us to tell them, the films are engaging, interesting, and they work.


joreth: (polyamory)
I’ve been writing a lot about Touch Starvation lately. Touch is one of my Love Languages. I have all kinds of baggage wrapped up in it, and, in fact, have been working on an adjacent theory about how emotional trauma affects the expression and repression of Love Languages. But that’s for another time.

What do you do when Touch is one of your LLs and your partner(s) is/are long distance? The last time I gave my 5LL workshop, someone asked me that question. Because of my baggage, I didn’t have a good answer, so I threw it out to the audience for brainstorming.  One of the proposed solutions that I managed to remember was to wear a shirt for a couple days and then send it to the partner so they could wear something that smells like you and vice versa. Preferably a soft shirt, something with pleasant tactile qualities.

Fast forward some time and after I announced our marriage plans, a metamour started working on a set of beautiful matching quilts for us, so we could have something tangible and symbolic of our relationship while apart. This combined the Touch LL with the Gift Giving LL and threw in some metamour bonding and was related to the theme of our wedding which was about the strength of partnerships being tied to the interconnectedness of the supportive family network.

So now, a couple years later, I find myself in strong NRE with a long distance partner at the peak of some Touch Starvation. I’m operating on a deficit of Touch already and all I want to do is be near him all the time. What to do?

As we’re getting to know each other, I’m slowly learning his LLs and his particular quirks and needs and limitations. The first night after I came home from my first visit to him, he remarked about “my” side of the bed still smelling like me. That stuck in my brain.  And then it hit me. I don’t exactly remember the order of events, did I think of this right then when he said that, or later at the fabric store or somewhere in between?

I came up with Long Distance Pillows. I’m quite sure I’m not the first to think of this. But I’ve never heard of them so someone else probably needs to hear of this too.

I know he likes soft things. I know he likes to sleep with pillows to cuddle. I know we both like Touch and that I, at least, am Touch Starved. I know he notices scent (not everyone does). So I found some very tactile-favorable fake fur material and made 2 small pillows.

two furry pillowsThe pillow of Me is solid black fur with little paw prints running up one edge, because I think of myself as a cranky black alley cat - a little rough around the edges, a little weather-worn, a little dark, but soft and lovable when I choose to be. He does not abstract himself in that way. He does not associate part of his identity with colors or animals or other symbols. So I picked a grey fur that matches my decor for the pillow of Him.

Then I slept with the pillow of Me for a month. When I went to visit him the next time, I revealed my surprise and my plan. He would sleep with Him and I would sleep with Me for the week, getting our respective scents on our respective pillows. Then I would go home, taking Him with me and leaving Me with him.

We could then have something soft to cuddle while we’re apart that reminds us of each other. When we get back together, we’ll swap pillows for the time we’re together and do it again.

A few days after I made the pillows, I was in a store and I found fake fur pillows just like the ones I was making. At first I was a little disappointed that I could have just bought a couple of pillows and saved some time. But then I realized that I like the fact that I hand made ours. In addition to putting in a zipper so they can be cleaned or the inner pillow can be replaced later and the little detail of the paw prints for Me, these are things I made myself with love and intent. That means something to me.

So, here is something that hits my Physical Touch LL, particularly the dialects of tactile sensation, scent, and sleep cuddling (which I like emotionally, but physically I have some challenges with), addresses, in part, some of my Touch Starvation, and hits my Gift Giving LL, particularly the dialects of tangible items representing thoughts I had of the person while apart and of creating which may overlap with Acts of Service as I use my skills to do something useful that I’m good at to meet an unmet need for someone.

So I share this for anyone who might find it a helpful idea. If you are not a crafty person, you can buy a pillow or blanket. If money is an issue, you can send a clothing item that you already own either to give them something with your scent or to have them wear it and send it back - depending on what you have and your individual circumstances.

You can even turn old t-shirts and other clothes into pillows and blankets if you are moderately crafty and want to save money. Some methods don’t even require sewing, you just fill the shirt and tie the openings shut. Check out no sew pillows on YouTube. This might be a good idea for those who have certain sentimental items like a concert shirt you got at a show you went to together or something. Even paper items can be turned into quilt squares (I’m not a quilter so I don’t know how but I’ve seen it done) so, like, love notes or doodles on a napkin or stuff like that.

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